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Don Giovanni (Italian pronunciation: [ˌdɔn dʒoˈvanni]; K. 527; Vienna (1788) title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte.
Don Giovanni The role was created by Antonio Baglioni [Wikidata], [4] who sang Don Ottavio in the premiere of Mozart's opera. Pasquariello, Don Giovanni's manservant ; The Commendatore (bass) Donna Anna, the Commendatore's daughter ; Duca Ottavio, Donna Anna's fiancé (tenor) Donna Elvira, a former lover of Don Giovanni (soprano)
Don Juan (Spanish: [doŋ ˈxwan]), also known as Don Giovanni , is a legendary, fictional Spanish libertine who devotes his life to seducing women. The original version of the story of Don Juan appears in the 1630 play El burlador de Sevilla y convidado de piedra ( The Trickster of Seville and the Stone Guest ) by Tirso de Molina .
“The original title was ‘Il dissoluto punito ossia il Don Giovanni,’ (The Libertine Punished, or Don Giovanni),” van Hove pointed out. “Mozart couldn’t have been clearer about his ...
Il mio tesoro" (or "Il mio tesoro intanto") is an aria for lyric tenor voice from scene 2 in act 2 of Mozart's opera Don Giovanni. It is often performed in recitals and featured in anthologies of music for tenor. [1]
Libretto: 1787 Don Giovanni [ag] Dramma giocoso 2 acts Italian Da Ponte, based on Giovanni Bertati's Don Giovanni Tenorio: 3 soprano, 1 tenor, 1 baritone, 3 bass, chorus 29 October 1787 [ah] Estates Theatre, [ai] Prague K.527 Score Libretto: 1789–90 Così fan tutte (Women are like that or All women do that) [aj] Dramma giocoso 2 acts Italian ...
The vocal range for Don Giovanni covers E 3 to E 4, Zerlina's range covers E 4 to F ♯ 5. The piece is labelled a "duettino", a "little duet". The piece is labelled a "duettino", a "little duet". This may be because the two roles sing only as a duet towards the very end of the piece, after Zerlina's assenting Andiam! .
The opera was the first of three collaborations between Mozart and Da Ponte, followed by Don Giovanni and Così fan tutte. It was Mozart who originally selected Beaumarchais's play and brought it to Da Ponte, who turned it into a libretto in six weeks, rewriting it in poetic Italian and removing all of the original's political references.