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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
She significantly impacted Hindi literature by refining the language and infusing poetry with heartfelt acceptance of Indian philosophy. Her unique blend of emotional intensity, lyrical simplicity, and evocative imagery, along with her contributions as a translator and scholar, solidified her position as a leading figure of the Chhayavad movement.
Аԥсшәа; العربية; Aragonés; অসমীয়া; Asturianu; Azərbaycanca; বাংলা; Башҡортса; Беларуская ...
A significant amount of Apabhraṃśa literature has been found in Jain libraries. While Amir Khusrow and Kabir were writing in a language quite similar to modern Urdu and Hindi, many poets, especially in regions that were still ruled by Hindu kings , continued to write in Apabhraṃśa.
The highly metaphorical work is still celebrated for its deeply Vedantic and Sufi incantations and philosophical undertones [1] and is an important work in the Chhayavaad (Neo-romanticism) literary movement of early 20th century Hindi literature. All the rubaaiaa (the plural for rubaai) end in the word madhushala.
Katha (or Kathya) is an Indian style of religious storytelling, performances of which are a ritual event in Hinduism.It often involves priest-narrators (kathavachak or vyas) who recite stories from Hindu religious texts, such as the Puranas, the Ramayana or Bhagavata Purana, followed by a commentary ().
A chaupai is a quatrain verse of Indian poetry, especially medieval Hindi poetry, that uses a metre of four syllables.. Famous chaupais include those of poet-saint Tulsidas (used in his classical text Ramcharitamanas and poem Hanuman Chalisa) .
Chitralekha is a slim volume with a narrative that is woven around a love story, and reflects on various aspects of human life. The story commences with a dialogue between the revered hermit Ratnakar (रत्नाकर) and his disciples, Shwetaank (श्वेतांक) and Vishaldev (विशालदेव), discussing the sins of humanity.