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The Casio SK-1 is a small sampling keyboard made by Casio in 1985. [1] [2] It has 32 small sized piano keys, four-note polyphony, with a sampling bit depth of 8 bit PCM and a sample rate of 9.38 kHz for 1.4 seconds, a built-in microphone and line level and microphone inputs for sampling, and an internal speaker and line out.
Plays Casio ROM Packs [228] SK 8A 32 petite Similar to SK-8 but aimed at middle eastern market [228] SK 10 32 petite 5 Trimmed down SK-1 [228] SK 60 32 petite [228] SK 100 49 mini 14 8 Can record up to 1.62 seconds of sound at 10.113 kHz. [228] SK 200 49 mini 12 8 Same as SK-100 but has stereo speakers [228] SK 2100 1987 49 full size 12 8 D (x6)
Casio Sampletone SK-1 Several tiny keyboards provide a step sequencer combined with an independent timing mode for recording and performance: Casio VL-Tone VL-1 (1979), Casiotone MT-70 (c.1984), Sampletone SK-1 (1986), etc.—Timings of musical notes stored on the step sequencer, can be designated by the two trigger buttons labeled "One Key ...
Casio SK-1; V. Casio VL-1 This page was last edited on 28 March 2013, at 16:35 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License ...
The famous VL-Tone VL-1 (1981) [2] [3] uses a method of sound synthesis based on the Walsh function. Keyboards such as the CT-202 ( c. 1981 ) use vowel-Consonant synthesis . The later model of this family, the MT-65, is one of the more well known and sought after models, as it also contains auto-accompaniment drum beats and bass lines.
SK-1 or SK1 may refer to: Casio SK-1, a small sampling keyboard; Garant 30k SK-1, an East German armored vehicle; Hammond SK1, a modern keyboard; SK-1 spacesuit, an early Russian spacesuit; sK1 (program), a fork of the Skencil vector graphics editor; Sphingosine kinase 1, a protein; SK1, a 2014 French film; VR Class Sk1, a locomotive class
The soundbar contained four 3-inch full range drivers and two 1-inch tweeters while the subwoofer housed one 8-inch dual voice coil driver. It used Altec Lansing's side-firing technology and algorithms to provide surround sound from the sides, rear and front. This configuration eliminated the wiring of separate speakers and the space they would ...
The MT-600 included a pitch-bender, which was unusual for home keyboards at the time. Unlike the HZ-600, the pitch bend range was not selectable. Auto-accompaniment used a fixed bass patch, and the "lower tone" sounds of the HZ-600 for chords. Drums were low-resolution 8-bit PCM samples and resembled an expanded Casio SK-5 drumkit.