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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In book publishing, an anthology is a collection of literary works chosen by the compiler; it may be a collection of plays, poems, short stories, songs, or related fiction/non-fiction excerpts by different authors. There are also thematic and genre-based anthologies.
It was not until 1992, however, that the term "flash fiction" came into use as a category/genre of fiction. [12] [13] It was coined by James Thomas, [14] who together with Denise Thomas and Tom Hazuka edited the 1992 landmark anthology titled Flash Fiction: 72 Very Short Stories, [15] and was introduced by Thomas in his Introduction to that volume.
In 1884, Brander Matthews, the first American professor of dramatic literature, published The Philosophy of the Short-Story. During that same year, Matthews was the first one to name the emerging genre "short story". [22] Another theorist of narrative fiction was Henry James, who produced some of the most influential short narratives of the time.
In the short story collections Venture to the Moon (1956) and The Other Side of the Sky (1957), Clarke shows a different aspect of space exploration (regarding the special cases of the Moon and of the construction of a space station), in each story, without aiming at a plot that would be interesting for any other reason than the respective outward issue.
The book features 20 short stories, a foreword by Neil Gaiman, an introduction by Pratchett's agent Colin Smythe, and an account by fans Pat and Jan Harkin of the research they did looking for the serialised story, "The Quest for the Keys" (1984), which led them to uncover many of the other stories.
Both fictional and non-fictional works fall into this category, including such forms as novels, biographies, short stories, and poems. In the academic setting, creative writing is typically separated into fiction and poetry classes, with a focus on writing in an original style, as opposed to imitating pre-existing genres such as crime or horror.
A short story cycle (sometimes referred to as a story sequence or composite novel) [1] is a collection of short stories in which the narratives are specifically composed and arranged with the goal of creating an enhanced or different experience when reading the group as a whole as opposed to its individual parts. [2]