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The story of Medea's revenge on Jason is told with devastating effect by Euripides in his tragedy Medea. William Morris wrote an English epic poem, The Life and Death of Jason, published in 1867. In the 1898 short novel The Story of Perseus and the Gorgon's Head the mythical story of Jason is described.
His version also aims to analyze ideas such as the love that develops from the initial passion, problems in the marriage, and the "final hour" of the love between Jason and Medea. Kristina Leach adapted the story for her play The Medea Project, which had its world premiere at the Hunger Artists Theatre Company in 2004 and placed the story in a ...
He swears love to her and she gives him the potions, amulets and charms necessary to defeat the dragon, fire-breathing bulls and earth-born soldiers that guard the Fleece. The Fleece won, Jason and Medea steal away from Colchis. Back in Iolcos, Jason asks Medea to use her magical powers to rejuvenate his aging father, Aeson.
Circe falls in love with Glaucos, a mortal fisherman. Circe feeds Glaucos sap of magical flowers grown in soil that was once soaked with the blood of the titan Kronos and transforms him into a god. Arrogant in his newfound divinity, however, Glaucos rejects Circe in favor of the nymph Scylla. Circe's jealousy causes her to use the flowers ...
Medea sacrifices her children from the roof of her house in order to hurt Jason (982-1025). [6] Medea escapes in a dragon chariot while she throws the bodies of the boys down. Jason ends the play by shouting after her that she should testify that there are no gods in heaven, where she is flying. (1026-1027). [6]
He argues the feelings of Medea's initial love for Jason, the shame she feels for loving him and for going against her family, and final agreement to help Jason in his quest. Multiple scholars have discussed Medea's use as a "helper maiden" to Jason's quest. A helper maid is typically a young woman who helps on a hero's quest, usually out of love.
Describing Medea as 'strong and powerful' is an understatement, and in general there are huge problems with trying to claim Medea as a feminist work, in the sense of a work that celebrates a strong and independent female character. In many ways, the play doesn't celebrate Medea at all but deplores her.
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