Search results
Results from the WOW.Com Content Network
"Any Time at All" is a song by the English rock band the Beatles. Credited to the Lennon–McCartney partnership, it was mainly composed by John Lennon, with an instrumental middle eight by Paul McCartney. [2] It first appeared on the Beatles' A Hard Day's Night album.
"A Hard Day's Night" is a song by the English rock band the Beatles. Credited to Lennon–McCartney, it was primarily written by John Lennon, [2] with some minor collaboration from Paul McCartney. It was released on the soundtrack album A Hard Day's Night in 1964.
"In My Life" is a song by the English rock band the Beatles, released on their 1965 studio album, Rubber Soul. Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which there is dispute over the primary author; John Lennon wrote the lyrics, but he and Paul McCartney later disagreed over who wrote the melody. [3]
'Yesterday' by the Beatles. In one of the most covered songs ... knowing only a few chords," he said. The song went on to top the Billboard Hot 100 for four weeks in 1979, becoming certified ...
The Beatles performed the song live on 16 February 1964 for their second appearance on The Ed Sullivan Show. An instrumental easy listening arrangement by George Martin , re-titled " Ringo's Theme (This Boy) ", was featured in the film A Hard Day's Night and the United Artists soundtrack album.
"When I Get Home" is a song written by John Lennon (credited to Lennon–McCartney), and recorded by the English rock band the Beatles on 2 June 1964, during the last session for their third studio album A Hard Day's Night (1964). [1] Its first US release was on the Something New LP. [2]
The company released a soundtrack album on 26 June 1964 with eight Beatles songs and four instrumentals. "I Should Have Known Better" was performed in the film, and it appears on the soundtrack . Capitol Records released Something New a month later with songs from the UK version of A Hard Day's Night that were not used in the film.
Like a lot of people, I first saw Billy Preston in “Let It Be,” where his luscious electric-keyboard noodlings provided the sweet center to songs like “Don’t Let Me Down” and “Get Back.”