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Young Woman Powdering Herself (French: Jeune femme se poudrant) is an oil on canvas painting executed between 1889–90, by the French painter Georges Seurat. [1] The work, one of the leading examples of pointillism, depicts the artist's mistress Madeleine Knobloch. [2]
Madame Hector France, 1891, Musée d'Orsay. Cross's early works, portraits and still lifes, were in the dark colors of Realism. [7] In order to distinguish himself from the famous Romantic painter Eugène Delacroix, he changed his name in 1881, shortening and Anglicizing his birth name to "Henri Cross" – the French word croix means cross.
Walker Art Gallery, Liverpool 030 33 × 46 More images: 1882 to 1883 Landscape in the Île-de-France [21] Musée des beaux-arts de Bordeaux 031 32.5 × 40.7 More images: 1882 to 1883 Man with a Hoe [22] National Gallery of Art, Washington. D.C. 034 15.5 × 24.7 More images: 1882 to 1883 The Stone breaker [23] National Gallery of Art, Washington ...
Pointillism (/ ˈ p w æ̃ t ɪ l ɪ z əm /, also US: / ˈ p w ɑː n-ˌ ˈ p ɔɪ n-/) [1] is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.
Artists followed new discoveries in perception with great interest. [28] Chevreul was perhaps the most important influence on artists at the time; his great contribution was producing a colour wheel of primary and intermediary hues. Chevreul was a French chemist who restored tapestries.
Image credits: Roberto Serra - Iguana Press / Getty Images #3 Rembrandt (July 15, 1606 — October 4, 1669) Rembrandt is regarded among the greatest portrait painters and printmakers of all time.
Portrait of Félix Fénéon, by Paul Signac in 1890, oil on canvas, 73.5 × 92.5 cm (28.9 × 36.4 in), Museum of Modern Art, New York Portrait of Paul Signac by Georges Seurat in 1890, conté crayon, private collection Portrait of his wife, Berthe, painted at Saint-Tropez by Paul Signac, 1893, Femme à l'ombrelle (Woman with Umbrella), oil on ...
Georges Seurat, Study for "A Sunday Afternoon on La Grande Jatte", 1884, oil on canvas, 70.5 x 104.1 cm, Metropolitan Museum of Art, New York Georges Seurat painted A Sunday Afternoon between May 1884 and March 1885, and from October 1885 to May 1886, focusing meticulously on the landscape of the park [2] and concentrating on issues of colour, light, and form.