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The Taking of Christ (Italian: Presa di Cristo nell'orto or Cattura di Cristo) is a painting, of the arrest of Jesus, by the Italian Baroque master Michelangelo Merisi da Caravaggio. Originally commissioned by the Roman nobleman Ciriaco Mattei in 1602, it is housed in the National Gallery of Ireland, Dublin.
The Crucifixion Between Saints Jerome and Christopher is a painting by the Italian Renaissance master Pinturicchio, painted around 1475 and housed in the Borghese Gallery of Rome, Italy. It is one of the earliest known works by the Umbrian painter, after some of the panels of the Miracles of Saint Bernardino cycle (1473).
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...
Worship of the Holy Name of Jesus Church of the Gesù There are minute details within the fresco. Gaulli took into consideration the perspective viewers would have, looking up at the ceiling, and painted the saved in an extremely foreshortened fashion to give the false illusion that they were truly floating above the viewers. [ 10 ]
The painting in its current frame, hanging in the National Gallery. The Latin form of Pilate's words, "Behold the man", has given the title Ecce Homo to this picture. It is the moment when Jesus comes forth from the rude mockery of the soldiers, clad in a royal robe, and wearing the crown of thorns.
The Devil promises Jesus power over this domain, if he will deny God and bow down to the Devil. Jesus sends the Devil away from him, while angels come to minister to him. In the foreground, a man whom Jesus has healed of leprosy presents himself to the High Priest at the temple, so that he may be pronounced clean. The young man carries a basin ...
The divinity, in this case the resurrected Jesus, is depicted within a mandorla occupying the upper part of the painting, among angels. The lower part shows, above a landscape in the background, the open sarcophagus and several Roman soldiers, three of whom are sleeping and one awakened by the miracle.
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
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