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One block was used for each colour of the final fabric, The block was inked by placing into a vat of colorant, and then carefully placed onto the fabric on the table in front of the craftsman. He pounded it with a mallet to impress the colour, then he lifted the block carefully, moved the fabric, re-inked the block, and printed the next section ...
Senninbari were most commonly made from white cloth and embroidered with 1000 red stitches, as the combination of white and red was considered to be lucky and auspicious. [3] Yellow, red and green cloth were also used, and were combined with various coloured threads (such as yellow, gold, red and white) used for the embroidery. [ 1 ]
A Christmas wreath on a house door in England. A golden wreath and ring from the burial of an Odrysian Aristocrat at the Golyamata Mogila in the Yambol region of Bulgaria. Mid 4th century BC. A wreath (/ r iː θ /) is an assortment of flowers, leaves, fruits, twigs, or various materials that is constructed to form a ring shape. [1]
Obijime – the broad cloth sash used in traditional dress; a kumihimo belt, called the obijime, is tied around the obi. Takadai – a takadai is a large, rectangular frame for creating flat, oblique kumihimo braids. Tama – bobbins. The thread is kept from unwinding by passing the thread under itself, forming a loop around the tama. True silk ...
The Ukrainian wreath (Ukrainian: вінок, romanized: vinok, pronounced [ʋʲiˈnɔk] ⓘ) is a type of wreath which, in traditional Ukrainian culture, is worn by girls and young unmarried women. The wreath may be part of a tradition dating back to East Slavic customs that predate the Christianization of Kievan Rus' . [ 1 ]
Two webbed belts, one fastened. A webbed belt , military belt , or skater belt is a type of belt , normally made of webbing , distinguished by its belt buckle design and lack of holes in the cord, which is usually found in other belts where a pin is used as the fastening mechanism in the belt buckle.
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[8] [9] In the 18th century, Asantehene Opoku Ware I was documented by Danish agents Nog and L.F. Rømer, to have encouraged expansion in craft work. The Asantehene set up a factory during his reign to innovate weaving in the Ashanti Empire. [8] [10] This was the early stages of Kente production. The Danish agents described the operations of ...
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