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The men-yoroi was constructed from iron, leather, or a combination of both. It had a lacquered or rusted type of finish and included a variety of facial details, such as a moustache, fierce teeth and a detachable nose. [5] [6] With the exception of the happuri, a men-yoroi had a small hole underneath the chin for sweat drainage.
The Murasaki Shikibu Nikki Emaki (紫式部日記絵巻) is a mid-13th century emaki (Japanese picture scroll) inspired by the private diary of Murasaki Shikibu, lady-in-waiting at the 10th–11th century Heian court and author of The Tale of Genji.
The Third Princess, a character from The Tale of Genji (ukiyo-e by Suzuki Harunobu, ca. 1766). The characters of The Tale of Genji do not possess birth names. Instead they are assigned sobriquets derived from poetic exchanges (e.g. Murasaki takes her name from a poem by Genji), from the particular court positions they occupy (in the Tyler translation, characters are often referred to by such ...
Murasaki was unconventional because she lived in her father's household, most likely on Teramachi Street in Kyoto, with her younger brother Nobunori. Their mother died, perhaps in childbirth, when they were quite young. Murasaki had at least three half-siblings raised with their mothers; she was very close to one sister who died in her twenties.
This is not to be confused with the chinstrap beard—a similar style of beard that also grows along the jawline but does not fully cover the chin. In addition, many chin curtain beards do not extend far below the jawline, if at all, whereas chinstrap beards generally do. The Shenandoah tends to be somewhat longer than the chin curtain.
As a fashion for women, hikimayu lasted for a number of centuries afterwards. In Noh drama, which started in the 14th century, the masks for the roles of young women typically have eyebrows in the hikimayu style. Beginning in the Edo period (1603–1867), both hikimayu and ohaguro transitioned into a practice seen only on married women. [3]
Between the 1580s (towards the end of the Warring States period, 1467–1615) and the 1630s (the beginning of the Edo period, 1603–1867), Japanese cultural attitudes to men's hair shifted; where a full head of hair and a beard had been valued as a sign of manliness in the preceding militaristic era, in the ensuing period of peace, this ...
Battoulah (Arabic: بطوله, romanized: baṭṭūleh; Persian: بتوله), also called Gulf Burqah (Arabic: البرقع الخليجي), [1] [note 1] is a metallic-looking fashion mask traditionally worn by Khaleeji Arab and Bandari Persian Muslim women in the area around the Persian Gulf.
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