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The remaining four compositions had been recorded earlier, with premieres as follows: No. 5 by the Danish pianist Helge Bonnén on Polyphon (NS 47002, 1925); [25] No. 9 by the Australian pianist Eileen Joyce for Parlophone (E 111424, 1939); [26] No. 3 by the Hungarian pianist Ervin László for RCA (LM–9829, 1959); [27] and No. 10 by the ...
In music, Op. 20 stands for Opus number 20. Compositions that are assigned this number include: Barber – Excursions; Bartók – Eight Improvisations on Hungarian Peasant Songs; Beethoven – Septet; Britten – Sinfonia da Requiem; Chausson – Symphony in B-flat; Chopin – Scherzo No. 1; Dvořák – Moravian Duets; Elgar – Serenade for ...
In music, Op. 24 stands for Opus number 24. Compositions that are assigned this number include: Barber – Knoxville: Summer of 1915; Beethoven – Violin Sonata No. 5; Berlioz – La damnation de Faust; Bliss – A Colour Symphony; Brahms – Variations and Fugue on a Theme by Handel; Chopin – Mazurkas, Op. 24; Enescu – Piano Sonata No. 1
Liederkreis, Op. 24, is a song cycle for voice and piano composed by Robert Schumann on nine poems by Heinrich Heine.The cycle was composed and published in 1840. This song cycle was one of the earlier products of Schumann’s Liederjahr (Year of Song), referring to his nearly exclusive devotion to song composition from 1840-1841, immediately after his marriage to Clara Wieck.
The Violin Sonata No. 5 in F major, Op. 24, is a four movement work for violin and piano by Ludwig van Beethoven. It was first published in 1801. The work is commonly known as the Spring Sonata (Frühlingssonate), although the name "Spring" was apparently given to it after Beethoven's death. [1]
"Nothing in my career as an artist wounded me more deeply than this unexpected indifference", he remembered. [4] La damnation de Faust is performed regularly in concert halls, since its first successful complete performance in concert in Paris, in 1877. Sir Charles Hallé gave the first complete performance in England on 5 February 1880. [5]
The Septet in E-flat major for clarinet, horn, bassoon, violin, viola, cello, and double bass, Op. 20, by Ludwig van Beethoven, was sketched out in 1799, completed, and first performed in Vienna in 1800 and published in 1802. [1] The score contains the notation: "Der Kaiserin Maria Theresia gewidmet" (Dedicated to the Empress Maria Theresa). [1]
4. Variation XIV. The final variation, fourteen, is a huge prestissimo. The theme is pounded in fast octave chords, and climbs up the keyboard. Ends with a low e flat octave, marked lunga with a fermata. Coda. The theme is finally closed, with a flashback of the first 8 measures, and closes with a G minor chord.