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The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
The Roland MKS-20 is a digital piano–type sound module released by Roland Corporation in 1986, simultaneously with the Roland RD-1000 digital stage piano.The MKS-20 and RD-1000 share the same "Structured/Adaptive Synthesis" sound engine; the RD-1000 integrates that engine into a musical keyboard-type MIDI controller with size, weight, and features similar to the Roland MKB-1000.
In 2018, Roland launched a subscription service called Roland Cloud. Users of the service can download and emulate a number of Roland synthesizers (modelled through a proprietary paradigm called ACB [32]) and drum machines in audio plugin formats. This collection also includes orchestral modules (namely the Roland SRX racks) and new additions ...
Roland VK-7. The Roland VK-7 is an electronic keyboard introduced in 1997 which simulates the sound of an electromechanical Hammond organ.Like other electronic musical instruments that emulate (or "clone") the sound of the electromechanical tonewheel-based organs formerly manufactured by Hammond, the VK-7 is referred to as a clonewheel organ.
The Roland XP-50 is a music workstation that combines the synthesizer engine of Roland's JV-1080 sound module with the sequencing capabilities of their MRC-Pro sequencer and a 61-note keyboard. First released in 1995, the XP-50 and the Roland XP-10 were the first two Roland XP-series products, later joined by the XP-80 and XP-30.
Roland GS, or just GS, sometimes expanded as General Standard [1] [2] or General Sound, [1] is a MIDI specification. It requires that all GS-compatible equipment must meet a certain set of features and it documents interpretations of some MIDI commands and bytes sequences, thus defining instrument tones, controllers for sound effects, etc.
The Roland Space Echo is a line of tape delay units introduced by Roland Corporation in 1974. Whereas prior tape delay effects used tape reels, the Space Echo uses a free-running tape transport system. This reduces tape wear, noise, and wow and flutter, and made the units more reliable and easy to transport.
A "standard" patch is made up of four tones. Each tone can have two different waveforms, one for the left channel and one for the right channel. Waveforms can be either preset waveforms, or samples (both work the same way.) Rhythm patches are made up of 16 tones, each one assigned to a note. Rhythm tones can be made up of up to four waveforms. [2]