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The text of "Come down, O Love divine" originated as an Italian poem, "Discendi amor santo" by the medieval mystic poet Bianco da Siena (1350-1399). The poem appeared in the 1851 collection Laudi Spirituali del Bianco da Siena of Telesforo Bini, and in 1861, the Anglo-Irish clergyman and writer Richard Frederick Littledale translated it into English.
Illustration by Eleanor Fortescue-Brickdale . Prothalamion, the commonly used name of Prothalamion; or, A Spousall Verse in Honour of the Double Marriage of Ladie Elizabeth and Ladie Katherine Somerset, [1] is a poem by Edmund Spenser (1552–1599), one of the important poets of the Tudor period in England.
An 1880 Baxter process illustration of Revelation 22:17 by Joseph Martin Kronheim. The bride of Christ, or the lamb's wife, [1] is a metaphor used in number of related verses in the Christian Bible, specifically the New Testament – in the Gospels, the Book of Revelation, the Epistles, with related verses in the Old Testament.
Bibles are updated with information on the characters after the information has been established on screen, scripts, or writer's notes. [2] For example, the Frasier show bible was "scrupulously maintained", and anything established on air — "the name of Frasier's mother, Niles' favorite professor, Martin's favorite bar...even a list of Maris' [dozens of] food allergies" — was reflected in ...
The Passion Translation (TPT) is a modern English paraphrase of the New Testament, and of an increasing number of books from the Hebrew Bible.The goal of The Passion Translation is "to bring God's eternal truth into a highly readable heart-level expression that causes truth and love to jump out of the text and lodge inside our hearts."
In Protestant theology, verbal plenary preservation (VPP) is a doctrine concerning the nature of the Bible.While verbal plenary inspiration (VPI) applies only to the original autographs of the Bible manuscript, VPP views that, "the whole of scripture with all its words even to the jot and tittle is perfectly preserved by God in the apographs [1] [2] without any loss of the original words ...
The St Matthew Passion can be divided in scenes or "stations" that follow the dramatic action of the Gospel account in different locations. [3] Whatever the chosen scene division (none of them indicated by the composer in the score), scenes end on an aria, a chorus, or in the midst of a Gospel text section.
[note 1] This painting by Hieronymus Francken the Younger (c. 1616) gives a moralistic interpretation of the parable. Along with most early Christian interpreters of this parable, [ 6 ] some today continue to understand it as an allegory, whereby Jesus Christ is the bridegroom, [ 2 ] [ 5 ] echoing the Old Testament image of God as the ...