Search results
Results from the WOW.Com Content Network
Schwartzbaum et al. liken the removal of a fresco to the transfer of a panel painting, in that it is generally considered undesirable except as a last resort. "Strappo" involves the removal of only the uppermost pigment-bearing layer; "stacco" is the removal of the fresco and its plaster preparation; "stacco a massello" is the removal of the ...
Antibiotics such as amoxicillin can be used to treat strains of bacteria living in a fresco's natural pigment which can turn them into powder. [9] Another method of fresco repair is the application of a protection and support bandage of cotton gauze and polyvinyl alcohol. Difficult sections are removed with soft brushes and localized vacuuming.
Sebastiano del Piombo's The Raising of Lazarus was transferred from panel to canvas in 1771. [1] The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century. It has now been largely ...
The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. [1] [2] The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically ...
A common dual dimmer module used in stage lighting A dimmer. A dimmer is a device connected to a light fixture and used to lower the brightness of the light.By changing the voltage waveform applied to the lamp, it is possible to lower the intensity of the light output.
The ceiling before the restoration [c]. The preliminary experimentation for the modern restoration began in 1979. The restoration team comprised Gianluigi Colalucci, Maurizio Rossi, Piergiorgio Bonetti, and others, [6] who took as their guidelines the Rules for restoration of works of art as established in 1978 by Carlo Pietrangeli, director of the Vatican's Laboratory for the Restoration of ...
Buon fresco (Italian for 'true fresh') [1] is a fresco painting technique in which alkaline-resistant pigments, ground in water, are applied to wet plaster. It is distinguished from the fresco-secco (or a secco ) and finto fresco techniques, in which paints are applied to dried plaster.
A Fresco-secco wall painting in St Just in Penwith Parish Church, Cornwall, UK. The painting was created in the 15th century and depicts Saint George fighting the dragon. Fresco-secco (or a secco or fresco finto ) is a wall painting technique where pigments mixed with an organic binder and/or lime are applied onto dry plaster . [ 1 ]