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Gérard de Nerval (French: [ʒeʁaʁ də nɛʁval]; 22 May 1808 – 26 January 1855), the pen name of the French writer, poet, and translator Gérard Labrunie, was a French essayist, poet, translator, and travel writer.
Traffic is the second studio album by the English rock band of the same name, released in 1968 on Island Records in the United Kingdom as ILPS 9081T (stereo), and United Artists in the United States, as UAS 6676 (stereo).
This was the last Traffic album for 20 years, when Winwood and Capaldi reunited for Far from Home in 1994. When the Eagle Flies was the band's fourth consecutive studio album to reach the American Top Ten [ 1 ] and have gold album status.
This edition was also released as Mr. Fantasy in Australia and New Zealand by Festival Records after the original UK track listing had first been released in Australia simply titled Traffic. [4] The first Canadian edition was similar but was released in December 1967 with the title Reaping in a unique cover. This album contained the full-length ...
Vivian Stanshall (born Victor Anthony Stanshall; 21 March 1943 – 5 March 1995) [1] was an English singer-songwriter, [2] musician, author, poet and wit, best known for his work with the Bonzo Dog Doo-Dah Band, for his exploration of the British upper classes in Sir Henry at Rawlinson End (as a radio series for John Peel, as an audio recording, as a book and as a film), and for acting as ...
Traffic disbanded at the beginning of 1969, when Steve Winwood co-formed the supergroup Blind Faith. An album compiled from studio and live recordings, Last Exit, was released in 1969. By 1970, Blind Faith had also broken up and Winwood, Jim Capaldi and Chris Wood reformed Traffic, with John Barleycorn Must Die being the band's comeback album ...
Thousands of artists — ranging from the late Norman Rockwell to the Oscar-nominated director Wes Anderson — have been named in a widely circulated list of people whose work was used to train a ...
Thus Winwood's erstwhile solo album became the reunion of Traffic (minus Dave Mason), and a re-launch of the band's career. [6] Mad Shadows would go on to be the title of Mott the Hoople's second album, also produced by Guy Stevens, and the new Winwood/Traffic album took its title from one of its tracks and became John Barleycorn Must Die.