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The nineteenth-century German philosopher Arthur Schopenhauer lamented the misuse of humor (a German loanword from English) to mean any type of comedy. A humorist is adept at seeing the humor in a situation or aspect of life and relating it, usually through a story; the comedian generally concentrates on jokes designed to invoke instantaneous ...
Humour (Commonwealth English) or humor (American English) is the tendency of experiences to provoke laughter and provide amusement.The term derives from the humoral medicine of the ancient Greeks, which taught that the balance of fluids in the human body, known as humours (Latin: humor, "body fluid"), controlled human health and emotion.
There are many theories of humor which attempt to explain what it is, what social functions it serves, and what would be considered humorous. Although various classical theories of humor and laughter may be found, in contemporary academic literature, three theories of humor appear repeatedly: relief theory, superiority theory, and incongruity ...
Innuendo in British humour is evident in the literature as far back as Beowulf and Chaucer, and it is a prevalent theme in many British folk songs. Shakespeare often used innuendo in his comedies, but it is also often found in his other plays. [6] One example in Hamlet act 4 scene v reads:
Linguist Robert Hetzron offers the definition: A joke is a short humorous piece of oral literature in which the funniness culminates in the final sentence, called the punchline… In fact, the main condition is that the tension should reach its highest level at the very end. No continuation relieving the tension should be added.
Humor research (also humor studies) is a multifaceted field which enters the domains of linguistics, history, and literature. Research in humor has been done to understand the psychological and physiological effects, both positive and negative, on a person or groups of people.
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Literature, in general, is defined by Aristotle as a mimesis, or imitation of life. Comedy is the third form of literature, being the most divorced from a true mimesis. Tragedy is the truest mimesis, followed by epic poetry, comedy, and lyric poetry. The genre of comedy is defined by a certain pattern according to Aristotle's definition.