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Schubert at the Piano by Gustav Klimt. Schubert's three last sonatas have many structural features in common. [18] D. 958 can be considered the odd one of the group, with several differences from the remarkably similar structure of D. 959 and D. 960.
Sonata No. 17 "Reliquie" Sonate Reliquie: C major 1825 840 Movement 3 and 4 are fragments. 94 #4 Moment Musical No. 4 same C-sharp minor 1823- 1828 780 #4 Published 1828 94 #5 Moment Musical No. 5 same F minor 1823-1828 780 #5 Published 1828 9 14 16 42 Sonata No. 18: Sonate A minor May 1825 845 Four movements 11 15 17 53 Sonata No. 19 "Gasteiner"
D 279, Piano Sonata in C major (1815, unfinished – first three movements are extant; the Allegretto in C major, D 346 fragment is probably the fourth movement) D 568, Piano Sonata in D-flat major (1817, 1st version; the last movement is a fragment; the Scherzo in D-flat major, D 593 No. 2 [1] possibly constitutes the third movement)
Piano Sonata No. 21 may refer to: Piano Sonata No. 21 (Beethoven) Piano Sonata No. 21 (Schubert) This page was last edited on 29 ...
Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 2 537 537 164p (1852) X No. 6: VII/2, 1 No. 4: Piano Sonata, D 537: A minor March 1817 Allegro ma non troppo – Allegretto quasi Andantino – Allegro vivace 538 538 (1891) XVI No. 33: III, 4 No. 42: Gesang der Geister über den Wassern, D 538
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.
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