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Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
Sonata for Alto Saxophone and Piano, Op. 29 (1970)—Robert Muczynski [38] Variations on a Dorian Theme for alto saxophone and piano (1972)—Gordon Jacob; Four Moods for Alto Saxophone and Piano (1975)—Phil Woods; Sonata for Alto Saxophone and Piano (1979)—John Worley; Albanian Summer (1980)—Dave Smith; Divertimento (1982)—Charles ...
Tableaux de Provence ("Pictures of Provence") is a programmatic suite composed by Paule Maurice (Sept. 29, 1910 – August 18, 1967) between 1948 and 1955 for alto saxophone and orchestra, most often performed with piano accompaniment only. The work was dedicated to French saxophone virtuoso, Marcel Mule.
Monk's Music is a jazz album by the Thelonious Monk Septet, which for this recording included Coleman Hawkins and John Coltrane. It was released in November 1957 through Riverside Records . [ 1 ] [ 2 ] The recording was made in New York City on June 26, 1957.
The most common saxophone embouchures in modern music use are variants of the single-lip embouchure, in which the mouthpiece position is stabilized with firm pressure from the upper teeth resting on the mouthpiece [1] (sometimes padded with a thin strip of rubber known as a "bite-pad" or "mouthpiece-patch").
Jazz, world music: Don Wise: 1957- x: X R&B, soul: Francis Wong: X X Jazz: Chris Wood: 1944-1983 X X X X Rock: Phil Woods: 1931-2015 X: X Bebop: Andrew Woolfolk: 1951-2022 X X X R&B: John Worley: 1919-1999 X Classical: Laurence Wyman: X Classical: Lester Young: 1909-1959 X Jazz: Daniel Zamir: 1981- X X Free jazz, Jewish music: John Zorn: 1953 ...
A major selling point for the C melody saxophone was the fact that in contrast to other saxophones, it was not a transposing instrument.As a result, the player could read regular printed music (e.g. for flute, oboe, violin, piano, guitar or voice) without having to transpose or read music parts that have been transposed into B ♭ or E ♭, which most other saxophones would require.
Modern Saxophone Stylings of Charlie Mariano was recorded in Boston in 1951. [1] The musicians were Mariano on alto sax, trumpeter Herb Pomeroy , pianist Jaki Byard , bassist Jack Carter, and drummer Peter Littman.
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