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It reached #3 on the Easy Listening chart, #21 on the Cashbox chart, and #23 on the Billboard Hot 100 chart in 1968. [1] It was featured on their 1968 album Fortuosity. [2] The song was arranged by Sy Oliver and produced by Charles Randolph Grean and Tom Mack. [3] The song ranked #86 on Billboard magazine's Top 100 singles of 1968. [4]
The Mills Brothers ad in The Film Daily, 1932. The Mills Brothers, sometimes billed The Four Mills Brothers and originally known as Four Boys and a Guitar, [1] were an American jazz and traditional pop vocal quartet who made more than 2,000 recordings that sold more than 50 million copies and garnered at least three dozen gold records.
The second single from R.E.M.’s third album, Fables of the Reconstruction, “Driver 8” is one of the group’s best-known songs, with quotable lyrics (which is almost unheard of for a pre-Out ...
Cab Driver (Ranwood, 1974) Inspiration (ABC Songbird, 1974) 50th Anniversary (Ranwood, 1976) The Mills Brothers (Pickwick, 1976) Singles. Year Single
Kravitz wrote the song after an altercation with a cab driver. [1] Although the song deals with racism and discrimination, he wrote it with a sense of humor. [2]
"Taxi" is a song written by Harry Chapin, released as a single in early 1972 to coincide with the release of his album Heads & Tales. It is an autobiographical ballad using first-person narrative to tell the story of a taxi cab driver meeting an old flame from his youth when he picks her up in his cab.
"Car 67" is a novelty song by 'Driver 67' released in November 1978. It was in the UK Singles Chart for twelve weeks, reaching a high of No. 7 in February 1979. [1] The song is a ballad revolving around a cab driver who had split up with his girlfriend the previous day and how he is refusing to make a particular pick-up at 83 Royal Gardens (the passenger, unbeknownst to the controller, is the ...
The song received mostly mixed reviews by critics. AllMusic gave it a positive review, saying that the piano part is "worthy of one of Billy Joel's finest songs", and that it used "painterly synth, strummed acoustic guitars, and a killer string arrangement". It also said that it was "a fine song, but it's not the best one" on the album. [5]