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Elizabeth Blackwell (born 23 April 1699 in Aberdeen [1] [2] [3] –1758) was a botanical illustrator best known as drawer and engraver of the plates for A Curious Herbal, published between 1737 and 1739. It illustrated medicinal plants in a reference work for the use of physicians and apothecaries.
Her early work has been described as focusing on aesthetics, more closely resembling a flower painter than a botanical illustrator. [4] Much of this early work was destroyed in a house fire in 1881. [ 9 ] [ 6 ] [ 10 ] Her style changed in her later work, her sketches became more detailed including multiple sections of the plants and notes, for ...
Clarissa Munger Badger (1806–1889), American botanical illustrator and poet [14] Anne Elizabeth Ball (1808–1872), Irish botanist and algologist [15] Mary Elizabeth Banning (1822–1903), American mycologist and botanical illustrator [16] Mary Elizabeth Barber (1818–1899), British-born botanist and painter active in South Africa [17]
Lilian Snelling (1879–1972) was "probably the most important British botanical artist of the first half of the 20th century". [4] She was the principal artist and lithographer to Curtis's Botanical Magazine between 1921 and 1952 [ 5 ] and "was considered one of the greatest botanical artists of her time" – "her paintings were both detailed ...
American Turk's cap lily, Lilium superbum, Georg Dionysius Ehret (1708–70), About 1750–53, Watercolor and gouache on vellum V&A Museum no. D.589-1886 [1] Banksia coccinea from Ferdinand Bauer's 1813 work Illustrationes Florae Novae Hollandiae. Botanical illustration is the art of depicting the form, color, and details of plant species. They ...
During these summer trips, she and her brothers studied mineralogy and recorded the flow of glaciers in drawings and photographs. [4] The trips to the Canadian Rockies sparked her interest in geology. [3] In 1880, her mother died and at 19 years old Vaux took on the responsibility of caring for her father and two younger brothers. [5]
In 1929, she began work as a botanical illustrator and taxonomist at Kew Gardens [5] and was a contributor to Curtis's Botanical Magazine and Icones Plantarum of William Jackson Hooker. [7] Her work drew the attention of Sir Edward Sailsbury , the director of Kew, who brought her to a publisher.
Anne (also known as Annie) was the second of three daughters of Robert Pratt (1777–1819), a grocer, and Sara Bundock (1780–1845). Anne Pratt was one of the best known English botanical illustrators of the Victorian age. [1]
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