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  2. Shadja - Wikipedia

    en.wikipedia.org/wiki/Shadja

    Ragas where Sa is the Vadi svara - Raga Malkauns, etc. Ragas where Sa is the Samvadi svara - Raga Kedar. Hypothetically speaking, Shadaj is said to be the Sakar Bhrama , Sakar Bhrama as in the three main gods, Bhrama, Vishnu and Shiva. Sa is made the acronym of Sakar for showing the importance of the syllable Sa. [4]

  3. Bhinna Shadja - Wikipedia

    en.wikipedia.org/wiki/Bhinna_Shadja

    Bhinna Shadja is a raga of Hindustani classical music belonging to the Bilaval Thaat (Melakarta No. 29 Dheerashankarabharanam). It contains five Shuddha Swaras: Shadaja, Gandhar, Madhyama, Dhaivata, and Nishad. Rishabh and Pancham are omitted. In the form of notation it contains S, G, M, D and N.

  4. Raga - Wikipedia

    en.wikipedia.org/wiki/Raga

    Every raga has a svara (a note or named pitch) called shadja, or adhara sadja, whose pitch may be chosen arbitrarily by the performer. This is taken to mark the beginning and end of the saptak (loosely, octave). The raga also contains an adhista, which is either the svara Ma or the svara Pa.

  5. Saptak - Wikipedia

    en.wikipedia.org/wiki/Saptak

    It denotes the set of swaras i.e. Shadja (Sa), Rishabha (Ri), Gāndhāra (Ga), Madhyama (Ma), Panchama (Pa), Dhaivat (Dha), Nishada (Ni), Shadja (Sa) which comprise a musical scale in Indian classical music. In Sanskrit, saptak literally means "containing seven" and is derived from the Sanskrit word Sapta which means "seven".

  6. List of ragas in Hindustani classical music - Wikipedia

    en.wikipedia.org/wiki/List_of_ragas_in...

    This is a list of various Ragas in Hindustani classical music.There is no exact count/known number of ragas which are there in Indian classical music.. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music.

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  8. Nishada (svara) - Wikipedia

    en.wikipedia.org/wiki/Nishada_(svara)

    When we break the word Shadja then we get, Shad And Ja. It means that Shad is 6 and ja is 'giving birth' in Marathi. [4] So basically the translation is : षड् - 6, ज -जन्म . Therefore, it collectively means giving birth to the other six notes of the music. So the svara Ni is formed from Shadja. The frequency of Nishada is 450 Hz.

  9. Rishabha (svara) - Wikipedia

    en.wikipedia.org/wiki/Rishabha_(svara)

    Rishabha is the second svara in an octave or Saptak and follows "Sa" (Shadja) as its immediate successor. The svara of Rishabha is Komal and Shuddha. It is said that Shadja is the basic svara from which all the other 6 svaras are produced. When we break the word Shadja then we get, Shad and Ja.