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However, New England was the site of the development of preprinted designs on burlap, indicating a shift in the status of rug hooking, at least for some. While preprinted embroidery patterns had long existed, it was Philena Moxley of Lowell, Massachusetts who first developed a business stamping embroidery and rug hooking designs about 1868-1871.
Pearl McGown learned rug-hooking as a child. [1] Hooked rugs are made by pulling loops of yarn or thin strips of fabric through a base material with an open weave, typically burlap or linen. [2] [3] [4] In North America, rug-hooking has been a widespread handicraft since the early 19th century, possibly brought over by English textile workers. [5]
A latch hook for rugmaking. Traditional rug hooking is a craft in which rugs are made by pulling loops of yarn or fabric through a stiff woven base such as burlap, linen, rug warp or monks cloth. The loops are pulled through the backing material by using a latch hook mounted in a handle (usually wood) for leverage. [2]
The rugs continued to be popular through the 19th century. The design motifs on early American hooked rugs varied, consisting predominantly of geometric patterns, floral designs, landscapes, seascapes and animals. No matter what the motif, hooked rugs displayed a great sense of individual expression.
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Others were used as decorative coverings for beds, tables and dressers and mantles. Sometimes they are used as wall hangings or pillows. Most designs include circles and some include images from everyday life such as cats, flowers, birds and shapes such as stars and hearts. [1] Penny rugs were repopularized in the 2000s as crafts.
Lavandula (common name lavender) is a genus of 47 known species of perennial flowering plants in the mints family, Lamiaceae. [1] It is native to the Old World, primarily found across the drier, warmer regions of mainland Eurasia, with an affinity for maritime breezes.
The Mina Khani design is often seen on Varamin rugs. The Shah Abbasi design is composed of a group of palmettes. Shah Abbasi motifs are frequently seen in Kashan, Isfahan, Mashhad and Nain rugs. The Bid Majnūn, or Weeping Willow design is in fact a combination of weeping willow, cypress, poplar and fruit trees in rectilinear form. Its origin ...
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