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Charcoal (Mac OS 9 system font) Designer: David Berlow: Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer: Susan Kare: Adobe Clean - Adobe's now standard GUI and icon font Class: Humanist, Spurless : Clear Sans (Intel) Designer: Dan Rhatigan, George Ryan, Robin Nicholas : Clearview Designer: James Montalbano et al. Class ...
Aptos, originally named Bierstadt, is a sans-serif typeface in the neo-grotesque style developed by Steve Matteson. [3] It was released in 2023 as the new default font for the Microsoft Office suite, replacing the previously used Calibri font.
Initially having no bold weight, when Inconsolata was added to Google Fonts, it was fully hinted and a bold variant was added. A Hellenised version of Inconsolata, containing full support for monotonic Modern Greek , was released by Dimosthenis Kaponis in 2011 as Inconsolata Hellenic, under the same license.
Version 1.0 of the font family had four typefaces, each with eight weights (Thin, Extra Light, Light, Regular, Text, Medium, Semi-bold, Bold) and true italics to complement them. [2] IBM Plex Sans – A grotesque sans-serif typeface with a design that was inspired by Franklin Gothic.
Work Sans by Wei Huang, loosely based on Grotesque No. 10 and other wider sans-serifs from the period adapted for onscreen display. [41] The modern corporate font of Sheffield, Wayfarer designed by Jeremy Tankard, is designed with some influences of the Stephenson Blake Grotesque series but predominantly based on their unrelated sans-serif Granby.
Source Code Pro is a set of monospaced OpenType fonts designed to work well in coding environments. This family of fonts complements the Source Sans family and is available in seven weights: Extralight, Light, Regular, Medium, Semibold, Bold, Black. Changes from Source Sans Pro include: [1] Long x-height; Dotted zero; Redesigned i, j, and l
Impact is a sans-serif typeface in the industrial or grotesque style designed by Geoffrey Lee in 1965 and released by the Stephenson Blake foundry of Sheffield. [1] It is well known for having been included in the core fonts for the Web package and distributed with Microsoft Windows since Windows 98.
Contrary to their current perception, in its early years, the Bauhaus school printed serif art nouveau typefaces. After some years of design work at the school, Herbert Bayer and Joost Schmidt created the more recognizable proposals—sans-serif geometric letterings, with decorative elements of the font removed for a crisp industrial style.