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Captivating the King (Korean: 세작, 매혹된 자들) is a 2024 South Korean television series starring Jo Jung-suk, Shin Se-kyung, and Lee Shin-young. It aired on tvN from January 21, to March 3, 2024, every Saturday and Sunday at 21:20 . [8] [9] It is also available for streaming on TVING in South Korea, and on Netflix in selected regions. [10]
Shin made her entertainment debut at eight years old in 1998 when she was featured on the cover and poster for Seo Taiji's solo album Take Five. [6] [7] As a child actress, Shin was already known to Koreans for her appearance in the popular children's show Popopo, which also starred Big Bang's G-Dragon.
Lee made his acting debut in the web series Just One Bite (2018). He went on to roles in It's Okay To Be Sensitive 2 (2019) and Just One Bite 2 (2019). He played First Lieutenant Park Kwang-beom in the hit drama Crash Landing on You (2019).
The King's Affection (Korean: 연모; RR: Yeonmo), is a 2021 South Korean television series starring Park Eun-bin, Rowoon, Nam Yoon-su, Choi Byung-chan, Bae Yoon-kyung, and Jung Chae-yeon. The story is based on Lee So-young 's manhwa Yeonmo . [ 4 ]
The King: Eternal Monarch (Korean: 더 킹: 영원의 군주) is a 2020 romantic-fantasy South Korean television series starring Lee Min-ho, Kim Go-eun, Woo Do-hwan, Kim Kyung-nam, Jung Eun-chae, and Lee Jung-jin.
The King 2 Hearts (2012) The King and I (2007–2008) The King and the Queen (1998–2000) The King in Love (2017) The King of Chudong Palace (1983) The King of Dramas (2012–2013) The King of Legend (2010–2011) The King of Pigs (2022) The King of Tears, Lee Bang-won (2021–2022) The King: Eternal Monarch (2020) The King's Affection (2021)
The Crowned Clown [1] (Korean: 왕이 된 남자) is a 2019 South Korean television series starring Yeo Jin-goo, Kim Sang-kyung, and Lee Se-young.A remake of the 2012 film Masquerade, the series centers on the tale of a Joseon King and his doppelganger, a clown whom he puts on the throne to escape the intense power struggles afflicting the royal court.
The film was number-one on its opening in South Korea, with 1.85 million admissions and US$13.2 million in gross. [17] In total, the film gathered 5.31 million spectators and grossed US$38.5 million nationwide, [ 18 ] making it the 7th highest-grossing South Korean film in 2017 .