Search results
Results from the WOW.Com Content Network
The frame size of regular 8 mm is 4.8 mm × 3.5 mm, and 1 meter of film contains 264 pictures. Normally, Double 8 is filmed at 16 or 18 frames per second. Common length film spools allowed filming of about 3 to 4 + 1 ⁄ 2 minutes at 12, 15, 16, and 18 frames per second. Kodak ceased sales of standard 8 mm film under its own brand in the early ...
Bozo Texino at the Cosmic Cowboy Concert. This 55 min. experimental documentary film was shot primarily in black & white 8mm & 16mm film and was subsequently digitally edited. . With a goal of tracing the true identity behind Bozo Texino, whose iconic hand-drawn cowboy moniker has appeared on the sides of trains for nearly a century, Bill Daniel hopped boxcars with drifters and camped in hobo ...
8mm is a 1999 crime thriller film [3] directed by Joel Schumacher and written by Andrew Kevin Walker. A German–American co-production, the film stars Nicolas Cage as a private investigator who delves into the world of snuff films. Joaquin Phoenix, James Gandolfini, Peter Stormare, and Anthony Heald appear in supporting roles.
The world’s largest honky-tonk — where Yellowstone’s Kevin Costner & Modern West and Ryan Bingham have performed — was the setting for Scott Bakula’s character’s fight in Guitar Bar in ...
Frame 150 from the Zapruder film. Kennedy's limousine has just turned onto Elm Street, moments before the first shot. The Zapruder film is a silent 8mm color motion picture sequence shot by Abraham Zapruder with a Bell & Howell home-movie camera, as United States President John F. Kennedy's motorcade passed through Dealey Plaza in Dallas, Texas, on November 22, 1963.
More than 1,000 horror films — from “The Texas Chainsaw Massacre” to “Friday the 13th” — have been made in the Lone Star State.
While the series takes place in and around Fort Smith, Arkansas, where Reeves was actually stationed in the 1880s, the majority of it was actually filmed across multiple locations in North Texas ...
Decades before the video revolution of the late 1970s/early 1980s, there was a small but devoted market for home films in the 16 mm, 9,5 mm, 8 mm, and Super 8 mm film market. Because most individuals in the United States owning projectors did not have one equipped with sound, vintage silent films were particularly well-suited for the market.