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The play was written and first published in 1979. Müller and his wife Ginka Cholakova co-directed its first theatrical production in 1980, at the intimate 'Theatre im 3.Stock' studio space of the Volksbühne in Berlin (opening on 16 November). Müller also directed a full-house production in 1982 at the Bochum Theatre in West Germany. [3]
Heiner Müller (German: [haɪnɐ mʏlɐ]; 9 January 1929 – 30 December 1995) was a German (formerly East German) dramatist, poet, writer, essayist and theatre director. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and postdramatic theatre .
Opheliamachine is a postmodernist drama by the Polish-born American playwright and dramaturg, Magda Romanska.Written in the span of ten years, from 2002 to 2012, the play is a response to and polemic with the German playwright Heiner Mueller's Hamletmachine (in German, Die Hamletmaschine).
Opheliamachine, a postmodernist response to Heiner Mueller's Hamletmachine by the Polish-born American playwright and dramaturg Magda Romanska, premiered to critical acclaim at City Garage Theatre in Santa Monica, CA in 2013, opened at the Berliner Ensemble in Germany on September 30, 2022, and was published in nine languages by Bloomsbury in 2024.
Quartet, sometimes written as Quartett, is a 1980 play written by the (formerly East) German playwright Heiner Müller.. Its subject matter rendered it unlikely for production under the GDR's repressive cultural policies, but Müller's status as the nation's most eminent playwright after the death of Bertolt Brecht allowed him great leeway for travel, and so when the progressive director of ...
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1430 Philip's uncle, Anthony, inherited Brabant from his great aunt in 1406. [40] Anthony's son, Philip of St. Pol, bequeathed it to Philip on his death in 1430. [41] Antwerp was a dependency of Brabant, [42] as was Limburg and the Lands of Overmaas. [43] Lands of Overmaas: Margraviate of Antwerp [note 3] Duchy of Brabant [note 4] County of ...
Heiner Müller, who played a central role in recognizing the Fatzer text as a major drama of the 20th century, interpreted this latest effort as a deliberate lowering of standards in an attempt to "clear out the bodies form the cellars, while the houses are built on the same foundations", identified as a crucial dilemma of GDR cultural politics ...