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For his second creation, La femme brune, Mucha was inspired by a fresco by Michelangelo in the Sistine Chapel. The exuberant hair, typical of Mucha, remained, as did numerous allusions to the JOB brand, from the brooch to the cigarette-paper case and even the background as wallpaper. A third poster by Mucha remained in the draft stage. [39]
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Alphonse was the eldest of six children, all with names starting with "A". [9] Alphonse showed an early talent for drawing; a local merchant impressed by his work gave him a gift of paper, at the time a luxury item. [8] In the preschool period, he drew exclusively with his left hand. He had a talent for music: he was an alto singer and violin ...
English: A series of “four seasons” by Alfons Mucha (but not his first series created in 1896); cropped print of four panels each depicting one of the four seasons personified by a woman, originally printed in circa 1897, and made into the “Chocolat Masson” and “Chocolat Mexican” Calendar of 1897.
Due to the success of the 1896 series, Champenois asked Mucha to design two more sets based on the seasonal theme in 1897 and 1900. [1] [11] Designs for another two sets also exist. [1] The 1897 series of color lithographs on paper featured 15 by 43 centimetres (5.9 in × 16.9 in) panels and is located at the Art Institute of Chicago. [12]
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The artist-designer Jules Chéret (1835–1932) was a notable early creator of French Art Nouveau posters. He helped turn the advertising poster into an art form. The son a family of artisans, he apprenticed with a lithographer and also studied at the École nationale supérieure des arts décoratifs.
-Czechoslovak poster artist, lithographer, photographer, graphic designer, painter and postage stamp designer Czechoslovak photographer, painter, illustrator and patriot. Apart from his artistic production he was an advocate for the unification of Czechoslovakia for which he designed the first banknotes in 1918.