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The servant songs (also called the servant poems or the Songs of the Suffering Servant) are four songs in the Book of Isaiah in the Hebrew Bible, which include Isaiah 42:1–4; Isaiah 49:1–6; Isaiah 50:4–11; and Isaiah 52:13–53:12. The songs are four poems written about a certain "servant of YHWH" (Hebrew: עבד יהוה, ‘eḇeḏ ...
The various versions of the Man of Sorrows image all show a Christ with the wounds of the Crucifixion, including the spear-wound. Especially in Germany, Christ's eyes are usually open and look out at the viewer; in Italy the closed eyes of the Byzantine epitaphios image, originally intended to show a dead Christ, remained for longer.
The servant has an exalted status in the eyes of God, but people despise him and consider him hated by God (Isa 52:13-53:3). The servant's violent torture and death. This passage uses violent language to describe the fate of the servant, including suffering, smitten, afflicted, wounded, crushed, bruising, cut off, anguished and exposed to death.
The film begins with an epigraph from the Fourth Song of the Suffering Servant from Isaiah. [15] In the opening scene set in the Garden of Gethsemane, Jesus crushes a serpent's head in direct visual allusion to Genesis 3:15. [16] Throughout the film, Jesus quotes from the Psalms, beyond the instances recorded in the New Testament.
Membra Jesu nostri, BuxWV 75, is a cycle of seven cantatas composed in 1680 by Dieterich Buxtehude and dedicated to Gustaf Düben.More specifically and fully it is, in Buxtehude's phrase, a “devotione [] decantata,” or “sung devotion,” titled Membra Jesu nostri patientis sanctissima, which translates from the Latin as Limbs Most Holy of Our Suffering Jesus.
Ensuing scenes include Peter's denial of Christ and subsequent repenting; the judgment of Jesus by Pilate ("Ecce Homo"); the Johannine Passion Narrative (John 18–19; including the Agony in the Garden); the Carrying of the Cross; the Crucifixion of Christ (Sir Laurence Olivier's Nicodemus recites the "Suffering Servant" passage (Isaiah 53:3-5 ...
Choral meditations on aspects of the suffering of Jesus on the cross include arrangements such as Buxtehude's Membra Jesu Nostri, a 1680 set of seven Passion cantatas, and the first such Lutheran treatment, incorporating lyrics excerpted from a medieval Latin poem and featuring Old Testament verses that prefigure the Messiah as suffering servant.
Healing the ear of a servant is one of the miracles of Jesus in the Gospels. [1] Even though the incident of the servant's ear being cut off is recorded in all four gospels , Matthew 26:51 ; Mark 14:47 ; Luke 22:51 ; and John 18:10–11 ; the servant and the disciple are named as Malchus and Simon Peter only in John.