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In a literary work, film, or other narrative, the plot is the mapping of events in which each one (except the final) affects at least one other through the principle of cause-and-effect. The causal events of a plot can be thought of as a selective collection of events from a narrative, all linked by the connector "and so".
Most premises can be expressed very simply, and many films can be identified simply from a short sentence describing the premise, e.g.: A lonely boy is befriended by an alien = E.T. the Extra-Terrestrial (1982) A small town is terrorized by a shark = Jaws (1975) A young boy sees dead people = The Sixth Sense (1999)
Template documentation This template's initial visibility currently defaults to autocollapse , meaning that if there is another collapsible item on the page (a navbox, sidebar , or table with the collapsible attribute ), it is hidden apart from its title bar; if not, it is fully visible.
The three-act structure is a model used in narrative fiction that divides a story into three parts , often called the Setup, the Confrontation, and the Resolution. It has been described in different ways by Aelius Donatus in the fourth century A.D. and by Syd Field in his 1979 book Screenplay: The Foundations of Screenwriting .
In structural semantics, the actantial model, also called the actantial narrative schema, is a tool used to analyze the action that takes place in a story, whether real or fictional. [ 1 ] [ 2 ] It was developed in 1966 by semiotician Algirdas Julien Greimas .
Argument analysis is distinguishing the premises and conclusion of an argument and determining their relationships (such as whether they are linked or convergent—see Argument map § Key features for diagrams of such relationships), determining the form of inference, and making explicit any implicit premises or conclusions.
The Seven Basic Plots: Why We Tell Stories is a 2004 book by Christopher Booker containing a Jung-influenced analysis of stories and their psychological meaning. Booker worked on the book for 34 years. [1]
Narrative is a powerful tool in the transfer, or sharing, of knowledge, one that is bound to cognitive issues of memory, constructed memory, and perceived memory. Jerome Bruner discusses this issue in his 1990 book, Acts of Meaning, where he considers the narrative form as a non-neutral rhetorical account that aims at "illocutionary intentions", or the desire to communicate meaning. [10]
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