Search results
Results from the WOW.Com Content Network
The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). [1] The work was commissioned by Cardinal Francesco Maria del Monte, who had an avid interest in music. [2] It is one of Caravaggio’s more complex paintings, with four figures that were likely painted from ...
Xia Gui (Chinese: 夏珪; Wade–Giles: Hsia Kui; fl. 1195–1224), courtesy name Yuyu (禹玉), was a Chinese landscape painter of the Song dynasty.Very little is known about his life, and only a few of his works survive, but he is generally considered one of China's greatest artists.
12th century in music – 13th century in music – 1300s in music. Events ... [Cim.] 14523), one of the two main treatises on the theory of Notre Dame polyphony. ...
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
Very little Italian music remains from the 13th century, so the immediate antecedents of the music of the Trecento must largely be inferred. The music of the troubadors, who brought their lyrical, secular song into northern Italy in the early 13th century after they fled their home regions—principally Provence—during the Albigensian Crusade, was a strong influence, and perhaps a decisive ...
This remained the predominant style in Italy until new developments came in Tuscany and Rome later in the century, and remained common in many areas well into the next century and beyond. The art of the region of Tuscany (and northern Italy) in the second half of the 13th century was dominated by two masters: Cimabue of Florence and Duccio of ...
13th; 14th; 15th; 16th; 17th; 18th; Subcategories. ... Pages in category "13th-century paintings" The following 12 pages are in this category, out of 12 total.
The ink bird-and-flower screen was one important concept during the Muromachi period (1336–1573) in the 14th century, which was popularized by Muqi with his triptych painting Guanyin, Crane, and Gibbons and his boneless style. The term "Muqi mode" was created in describing this boneless method of painting without a thin ink outline.