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The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). [1] The work was commissioned by Cardinal Francesco Maria del Monte, who had an avid interest in music. [2]
However, a few critics felt that his paintings were among the better works of the Song Dynasty, and some Chinese artists were still producing works inspired by Xia's idiom. Sesshū Tōyō visited China in the 15th century and was influenced by works and followers of Xia Gui. Sesshū Tōyō made himself fen-pen (draft copy/study copy of the old ...
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
Both paintings feature an angel playing music, in keeping with the tradition of medieval representations of angel musicians. [1] The figure of the angel musician dates back to the 13th century. It has evolved over the centuries to proclaim the glory of an illustrious figure from the Bible, such as the Virgin Mary, Mother of God.
1290s. 1300s in art. 1310s: Art timeline: The decade of the 1300s in art involved some significant events. Events. 1300: Giotto completes the Badia Polyptych;
The style of the miniatures is directly inspired by that current at the time of Saint Louis in Paris. It may have been made in the same workshop as the manuscript of the Apocalypse of the Bibliothèque nationale de France MS Lat. 10474. [7] Three slightly different styles are distinguishable, suggesting that three artists may have been responsible.
The messenger brought other artists' drawings back to the Pope in addition to Giotto's. When the messenger related how he had made the circle without moving his arm and without the aid of compasses the Pope and his courtiers were amazed at how Giotto's skill greatly surpassed all of his contemporaries. [9]
The ink bird-and-flower screen was one important concept during the Muromachi period (1336–1573) in the 14th century, which was popularized by Muqi with his triptych painting Guanyin, Crane, and Gibbons and his boneless style. The term "Muqi mode" was created in describing this boneless method of painting without a thin ink outline.