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Note lower waist, fuller sleeves, and wider skirt. Marchesa Marianna Florenzi wears a fur-trimmed dress with a belt over a white ruffled undergown and carries a feather-trimmed bonnet, 1824; This young lady wears a red gown with a satin waistband, accessorized with a paisley shawl, 1824.
The girls wear white dresses with colored aprons. The Family of Dr. Josef August Eltz, Austria, 1835. 1830s fashion in Western and Western-influenced fashion is characterized by an emphasis on breadth , initially at the shoulder and later in the hips, in contrast to the narrower silhouettes that had predominated between 1800 and 1820.
The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...
[11] [4] The white or black-and-red satin stitch or pattern darning embroidery either covered the sleeve completely, or was added only to the top part. [11] [4] Western Volhynians added a thin string of embroidered ornament near the sleeve trimming. [11] [4] The sleeves could be finished with a pulled or ruffled cuff, or be shortened and left ...
Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
Some wear sheer aprons. The lady on the right wears a mantua. The men's long, narrow coats are trimmed with gold braid. c.1730–1740. Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s.
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