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The design is sometimes interpreted as the arms of warriors caught in haka (fierce rhythmic dance) action. The niho taniwha (taniwha tooth) pattern is a notched-tooth design found on all types of objects, mats, woven panels, belts, and clothing. The poutama is a stepped design signifying the growth of man, striving ever upwards.
Tivaevae are often given on very special occasions either to important visitors, as birthday and wedding gifts or used to cover the body of a loved one who has died. They are often displayed during important events like the traditional boys' hair-cutting ceremonies, birthdays and weddings. [2]
Kete are traditional baskets made and used by New Zealand's Māori people. [1] They are traditionally woven from the leaves of New Zealand flax called harakeke and have two handles at the top. [2] Other materials are sometimes used, including sedge grass or the leaves of the nikau palm and cabbage tree. [1] [3] Modern designs may also use dyed ...
Tukutuku panelling is a distinctive art form of the Māori people of New Zealand, a traditional latticework used to decorate meeting houses (Wharenui). [1] Other names are Tuitui and Arapaki. Tukutuku flank the posts around the edge of the wharenui, the posts are usually carved and represent ancestors. [2] The patterns of tukutuku have symbolic ...
The multi-disciplinary design group Brenner Associates was established in 1949 and specialised graphic design agencies including that of Bill Haythornthwaite emerged in the post-war period. Much industrial, interior, graphic, jewellery and fashion design in New Zealand was influenced by international trends although distinctive New Zealand ...
The logo of Air New Zealand, the national carrier, incorporates a koru design — based on the Ngaru (Ngāti Kahungunu) [5] kōwhaiwhai pattern — as a symbol of New Zealand flora. The logo was introduced in 1973 to coincide with the arrival of the airline's first McDonnell Douglas DC-10 wide-body jet.
The fabric had turned into peat, but was still identifiable. Many bodies at the site had been wrapped in fabric before burial. Eighty-seven pieces of fabric were found associated with 37 burials. Researchers have identified seven different weaves in the fabric. One kind of fabric had 26 strands per inch (10 strands per centimeter).
The traditional weaving material is muka, fibre prepared from the New Zealand flax (Phormium tenax) by scraping, pounding and washing. The muka fibre was dyed using natural dyes . There has been a resurgence of tāniko and other Māori cultural practices starting in the 1950s and as part of the broader Māori Renaissance .
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