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American neo-noir films. Neo-noir film directors refer to 'classic noir' in the use of tilted camera angles , interplay of light and shadows, unbalanced framing ; blurring of the lines between good and bad and right and wrong , and thematic motifs including revenge , paranoia , and alienation .
American Gangster: Ridley Scott 2007 United States [1] American Psycho: Mary Harron: 2000 United States [112] The Assassination of Richard Nixon: Niels Mueller: 2004 United States [13] El Aura: Fabián Bielinsky: 2005 Argentina [69] Bad Education: Pedro Almodóvar 2004 Spain [116] Bad Lieutenant: Port of Call New Orleans: Werner Herzog: 2009 ...
Night Moves is a 1975 American neo-noir film [3] [4] directed by Arthur Penn, and starring Gene Hackman, Jennifer Warren, Susan Clark, with supporting performances from Melanie Griffith and James Woods. Its plot follows a Los Angeles private investigator who uncovers a series of sinister events while searching for the missing teenage daughter ...
Chinatown is a 1974 American neo-noir mystery film directed by Roman Polanski from a screenplay by Robert Towne.The film stars Jack Nicholson and Faye Dunaway.It was inspired by the California water wars: a series of disputes over southern California water at the beginning of the 20th century that resulted in Los Angeles securing water rights in the Owens Valley. [4]
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. [1] During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack 's Absence of Malice ...
The neo-noir subgenre refers to crime dramas and mysteries produced from the mid-1960s to the present that, while they are generally shot in color and do not always emulate the visual style of classic film noir, often borrow the themes, archetypes, and plots made famous by the film noir genre.
Plus, I loved seeing refreshing new takes on gender norms, thanks to movies like Kramer vs. Kramer, and a new wave of Black-led films, like Coffy and Shaft, that pioneered diversity on the big screen.
Eyewitness (released in the UK as The Janitor) is a 1981 American neo-noir [4] thriller film produced and directed by Peter Yates and written by Steve Tesich. It stars William Hurt, Sigourney Weaver, Christopher Plummer, Morgan Freeman and James Woods. The story involves a television news reporter and a janitor who team to solve a murder. [5]
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