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A man takes the place of Lisa del Giocondo in the Mona Lisa using a photo stand-in The back of a photo stand-in. A photo stand-in (also called a face-in-hole, face in the hole board, or photo cutout board) is a large board with an image printed on it and that has one or more holes cut out where people can stick their face through the board for humorous effect. [1]
The long-running HBO series Arliss, whose title character was a sports agent, also used cardboard cutouts for many of its stadium scenes. [14] Prop makers later developed inflatable anthropomorphic figures to better convey volume at different angles. They made their first recorded appearance in Seabiscuit, a horse racing film released in 2003. [15]
The cast faced a lot of difficulty in interacting with creatures that were not present in the scene and had to learn how to act against invisible objects. Various methods were used to help including cardboard cutouts and tennis balls or flags on sticks to indicate their position, as well as Verhoeven wielding a broom. [24] [10] [17] [2]
The playfield is a color cardboard cutout and the black-and-white video is reflected on top of it. Vindicators: 1988: 2, simultaneous A tank combat game where players fight the evil enemy, the Tangent Empire. Play is from a top-down perspective. Atari provided a contest that players could win a special T-Shirt by completing the contest level in ...
Cardboard modeling or cardboard engineering is a form of modelling with paper, card stock, paperboard, and corrugated fiberboard. [1] The term cardboard engineering is sometimes used to differentiate from the craft of making decorative cards .
Cutout animation is a form of stop-motion animation using flat characters, props and backgrounds cut from materials such as paper, card, stiff fabric or photographs. The props would be cut out and used as puppets for stop motion.
A life-sized cardboard cutout of Bill Cosby was placed in the main lobby of the WTVJ studios. [158] The campaign was remembered years later by local television critics Tom Jicha and Hal Boedeker as "grating", [159] "annoying", [160] and "over as soon as it started". [161]
Many photographers use the technique of photographing people, objects or landscape elements against the light, to achieve an image in silhouette. The background light might be natural, such as a cloudy or open sky, mist or fog, sunset or an open doorway (a technique known as contre-jour), or it might be contrived in a studio; see low-key lighting.
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