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A chamfer may sometimes be regarded as a type of bevel, and the terms are often used interchangeably. In furniture-making, a lark's tongue is a chamfer which ends short of a piece in a gradual outward curve, leaving the remainder of the edge as a right angle. Chamfers may be formed in either inside or outside adjoining faces of an object or room.
Side views of a bevel (above) and a chamfer (below). A bevelled edge (UK) or beveled edge (US) is an edge of a structure that is not perpendicular to the faces of the piece. . The words bevel and chamfer overlap in usage; in general usage, they are often interchanged, while in technical usage, they may be differentiated as shown in the image on the ri
Chamfer A transitional edge, often 45 degrees, formed by paring down an arris diagonally. [9] Some buildings may be chamfered such that the base is octagonal. Chancel (also Presbytery) In church architecture, the space around the altar at the east end of a traditional Christian church building, including the choir and sanctuary. Chandrashala
Bezel is akin to French biseau, meaning bevel or chamfer. [4] The noun meaning "slope of the edge of a cutting tool," and also "groove by which a stone is held in its setting" was from the 1610s. The verb meaning "grind (a tool) down to an edge" is from 1670s. [8] The noun meaning "oblique face of a gem" is from c. 1840. [8]
A building's surface detailing, inside and outside, often includes decorative moulding, and these often contain ogee-shaped profiles—consisting (from low to high) of a concave arc flowing into a convex arc, with vertical ends; if the lower curve is convex and higher one concave, this is known as a Roman ogee, although frequently the terms are used interchangeably and for a variety of other ...
The word is attested in Middle English and derives from the Old French aisselier, from the Latin axilla, a diminutive of axis, meaning "plank". [6] " Clene hewen ashler" often occurs in medieval documents; this means tooled or finely worked, in contradistinction to rough-axed faces.
A giant of early 20th century art, whose glamorous figurative paintings of women played an important role in defining Art Deco, is now the subject of her first-ever U.S. retrospective, currently ...
The art historian Jennifer Raab of Yale University describes it as inherently contradictory: "it can delineate difference or emphasize unity". [2] She furthers that "the detail always points away from itself to something else–to other parts of a picture, to the work of art as a whole".