Search results
Results from the WOW.Com Content Network
In this wayang golek show, as with other wayang shows, plays and stories are played by a puppeteer. The difference is the language in the dialogue that is brought is Sundanese. The standard and the wayang golek are also the same as wayang kulit, for example in the Ramayana and Mahabharata stories. But the difference is in the character of the ...
Similar characters appear in other Indonesian wayang and theatrical traditions, including those of Bali and Sunda, under different names. [ 6 ] [ 7 ] The panakawan characters are generally much-loved by audiences who attend wayang plays in Indonesia and their appearance in the plays is usually greeted with laughter and anticipation.
Possible originator of wayang golek puppetry. Sunan Kalijaga: His born name is Raden Mas Said, and he is the son of Adipati Tuban, Tumenggung Harya Wilatikta. Buried in Kadilangu, Demak. Used wayang kulit shadow puppets and gamelan music to convey spiritual teachings. Sunan Muria: Buried in Gunung Muria, Kudus. Son of Sunan Kalijaga and Dewi ...
Cepot is humorous and easy going, everything Cepot says tends to be funny, and Cepot's act has many slapstick jokes, mostly done together with its antagonist wayang golek character. Cepot in wayang golek puppetry also has other, good looking faces: Astrajingga, described with its straight, humble, good looking and white face. Cepot is the ...
Wayang golek performance (3D wooden puppet), Indonesia. Wayang golek are three-dimensional wooden rod puppets that are operated from below by a wooden rod that runs through the body to the head, and by sticks connected to the hands. The construction of the puppets contributes to their versatility, expressiveness and aptitude for imitating human ...
Bambangan Cakil (Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of the Javanese people in—particularly—Central Java, Indonesia. [2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3]
A wayang kulit performance accompanied by a gamelan orchestra, between 1862 and 1872. Wayang is the traditional puppet theatre of Indonesia. [6] [7] [8] It is an ancient form of storytelling known for its elaborate puppets and complex musical styles. [9]
The ceiling of Kertha Gosa is painted in a traditional Balinese style that resembles wayang (puppet theatre). Paintings in the wayang style are related closely to shadow theatre art and have been faithfully preserved to reflect Bali's Hindu-Javanese heritage in its traditional iconography and content. Iconography was to represent living things ...