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Emmanuel told her that he was the first one to discover Lucio Dalla's music in the 80's. This version, along with Franco's, ranked at number 32 in the recap made by VH1 Latin America for the 100 Greatest Songs of the 80's in Spanish. [5] "Toda La Vida" is a staple in every live performance by Emmanuel.
Toda la Vida y Otros Grandes Exitos is a compilation album, by Mexican iconic pop singer Emmanuel. It was released in 1986. The title comes from the hit song, "Toda la Vida which reached #1 on the Hot Latin Tracks chart. The album reached #1 on the Latin Pop Albums chart for 4 weeks. [1]
Also in 1986, two Spanish versions of the Italian song "Tutta la vita", performed by Franco and Emmanuel succeeded one another at the top of the chart. [5] Two songs recorded by Spanish singer Julio Iglesias peaked at number one, " Lo Mejor de Tu Vida " and " Que No Se Rompa la Noche ".
The album included his cover of the Italian pop song, "Tutta la vita," retitled "Toda la vida." The song was Emmanuel's biggest hit of the 1980s, and still remains one of his most popular songs, as well as one of his personal favorites.
The remaining songs on the album are "Esa Triste Guitarra" ("That Sad Guitar"), "Caprichosa María" ("Capricious Maria"), and "Eso Era La Vida" ("That Was Life"), the last of which is the only song on the album not composed by Alejandro-Magdalena. His follow-up albums also enjoyed success with memorable love songs.
"Es Mi Mujer" ("It's My Woman") is a song written by Luis Gómez Escolar and K. C. Porter, produced by Juan Carlos Calderón and performed by Mexican singer Emmanuel.It was released as the second single from his studio album Desnudo (1986) in early 1987.
[5] [6] The song spent 20 weeks within the Top 40 and became the eighth top ten single for the singer in the chart, and third number-one hit, after "Toda La Vida" (1986) and "Es Mi Mujer" (1987). [7] "La Chica de Humo" became the last number-one Latin single in the United States of the 1980s and remains the last time Emmanuel hit the top of ...
Manuel Ponce. Manuel María Ponce Cuéllar (8 December 1882 – 24 April 1948), known in Mexico as Manuel M. Ponce, was a Mexican composer active in the 20th century. His work as a composer, music educator and scholar of Mexican music connected the concert scene with a mostly forgotten tradition of popular song and Mexican folklore.