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  2. Frank Daniel - Wikipedia

    en.wikipedia.org/wiki/Frank_Daniel

    Film screenwriter, Teacher František " Frank " Daniel (April 14, 1926 – February 29, 1996) was a Czech - American screenwriter, film director and teacher. He is known for developing the sequence paradigm of screenwriting, in which a classically constructed movie can be broken down into three acts, and a total of eight specific sequences. [ 1 ]

  3. Screenwriting - Wikipedia

    en.wikipedia.org/wiki/Screenwriting

    The sequence approach to screenwriting, sometimes known as "eight-sequence structure", is a system developed by Frank Daniel, while he was the head of the Graduate Screenwriting Program at USC. It is based in part on the fact that, in the early days of cinema, technical matters forced screenwriters to divide their stories into sequences, each ...

  4. Sequence (filmmaking) - Wikipedia

    en.wikipedia.org/wiki/Sequence_(filmmaking)

    In film, a sequence is a scene or a series of scenes that form a distinct narrative unit to advance the narrative, usually connected either by a unity of location or a unity of time. [1] Each of these sequences might further contain sub-sequences. It is also known by the French term, "plan séquence".

  5. Three-act structure - Wikipedia

    en.wikipedia.org/wiki/Three-act_structure

    The first act is usually used for exposition, to establish the main characters, their relationships, and the world they live in.Later in the first act, a dynamic, on-screen incident occurs, known as the inciting incident, or catalyst, that confronts the main character (the protagonist), and whose attempts to deal with this incident lead to a second and more dramatic situation, known as the ...

  6. Formalist film theory - Wikipedia

    en.wikipedia.org/wiki/Formalist_film_theory

    Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]

  7. Film semiotics - Wikipedia

    en.wikipedia.org/wiki/Film_semiotics

    Film semiotics is the study of sign process , or any form of activity, conduct, or any process that involves signs, including the production of meaning, as these signs pertain to moving pictures. Film semiotics is used for the interpretation of many art forms, often including abstract art .

  8. Screenplay (book) - Wikipedia

    en.wikipedia.org/wiki/Screenplay_(book)

    Screenplay: The Foundations of Screenwriting ("A Step-by-Step Guide from Concept to Finished Script") is a non-fiction book and filmmaking guide written by Syd Field.First published in 1979, Screenplay covers the art and craft of screenwriting.

  9. Montage (filmmaking) - Wikipedia

    en.wikipedia.org/wiki/Montage_(filmmaking)

    A montage (/ m ɒ n ˈ t ɑː ʒ / mon-TAHZH) is a film editing technique in which a series of short shots are sequenced to condense space, time, and information. Montages enable filmmakers to communicate a large amount of information to an audience over a shorter span of time by juxtaposing different shots, compressing time through editing, or intertwining multiple storylines of a narrative.