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The literature of Spanish America is an important branch of Spanish literature, with its own particular characteristics dating back to the earliest years of Spain’s conquest of the Americas (see Latin American literature).
The Spanish–American War, known in Spain as the Disaster of the 98 or War of Cuba, arose between Spain and the United States in 1898, during the regency of María Cristina, widow of the king Alfonso XII. For Spain it meant the loss of the overseas colonies and the end of the formerly powerful Spanish empire.
In Aspects of Spanish-American Literature, Arturo Torres-Ríoseco writes (1963), [1] Modernismo influences the meaning behind words and the impact of poetry on culture. Modernismo , in its simplest form, is finding the beauty and advances within the language and rhythm of literary works.
Spanish-language literature or Hispanic literature is the sum of the literary works written in the Spanish language across the Hispanic world. The principal elements are the Spanish literature of Spain, and Latin American literature .
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Conceptismo (literally, conceptism) is a literary movement of the Baroque period in the Spanish literature. It began in the late 16th century and lasted through the 17th century, also the period of the Spanish Golden Age. Francisco de Quevedo y Villegas, the most significant representative of Baroque conceptismo Baltasar Gracián
The gods become farces. It is a manner very Spanish, a demiurge manner, that doesn't believe to be in any way made of the same earth as its dolls." [7] Valle-Inclán refers to esperpento, as he sees it, as having precedence in the literature of Francisco de Quevedo and the paintings of Francisco de Goya. According to Valle-Inclán:
Criollismo (Spanish pronunciation: [kɾjoˈʎismo]) is a literary movement that was active from the end of the 19th century to the beginning of the 20th century throughout Hispanic America. It is considered the Hispanic counterpart to American literary regionalism .