Search results
Results from the WOW.Com Content Network
New Ukulele Method For Beginners And Advanced Students, by May Singhi Breen, Robbins Music Corp. † (1950); OCLC 2733204, 8755904; Collection of Ukulele Solos, by May Singhi Breen, Robbins Music Corp. † (1955); OCLC 10987129; Notes † signifies Robbins Music Corp. was founded and operated by John J. (Jack) Robbins (1894–1959)
The song's title does not occur in its lyrics but is approximated in the first line of the second verse: "Time in New England took me away", the evident basis of "Weekend in New England" being the leisure habits of New Yorkers for whom "the romantic short escape of choice has long been a drive up the coast towards Massachusetts and the other [New England] states", [2] [3] lyrical references to ...
J.B. Harold Murder Club is the first in the Japanese J. B. Harold series of murder mystery graphic adventure games, which includes Manhattan Requiem (1987), [11] Kiss of Murder (1988), D.C. Connection (1989), [12] and Blue Chicago Blues (1995). [11] J.B Harold Murder Club was the first title in the series to be released in the United States. [13]
Peter Seeger (May 3, 1919 – January 27, 2014) was an American folk singer-songwriter, musician and social activist. He was a fixture on nationwide radio in the 1940s, and had a string of hit records in the early 1950s as a member of The Weavers, notably their recording of Lead Belly's "Goodnight, Irene," which topped the charts for 14 weeks in 1950.
A murder mystery is a work of crime fiction. Murder mystery may also refer to: Murder Mystery (band), an American rock band; Murder Mystery, a 2019 American comedy mystery film "Murder Mystery" (Schitt's Creek), a television episode "Murder Mystery", a song by Edan from Beauty and the Beat, 2005 "The Murder Mystery", a song by the Velvet ...
Within ballads, the "event song" is dedicated to narrating a particular event, and the murder ballad is a type of event song in which the event is a murder. This definition can be applied also to songs composed self-consciously within, or with reference to, the traditional generic conventions. [ 1 ]
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
The movement ends with a high Bbm9 chord that crescendoes to an abrupt fermata cutoff. 2nd Movement. The second movement is the most recognizable piece of the score: directly after the first movement's fermata, a lone first violin launches directly into a series of discordant, screechy glissandos before being joined by the rest of the string ...