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  2. The Glow Pt. 2 - Wikipedia

    en.wikipedia.org/wiki/The_Glow_Pt._2

    The Glow Pt. 2 (occasionally with The Glow in quotes, or with "Two" spelt out) is the third studio album by American indie folk and indie rock project the Microphones.It was released on September 11, 2001, [1] through K Records and later through P.W. Elverum & Sun, Ltd. Recording was done on analog equipment at Dub Narcotic, Olympia, Washington, from May 2000 to March 2001.

  3. Smith & Pyle - Wikipedia

    en.wikipedia.org/wiki/Smith_&_Pyle

    Smith and Pyle admitted that they went into the recording studio without a single song fully completed, but they managed to finish the album with 16 full tracks. Guest musicians on the album include Jerry Cantrell (guitarist and vocalist of the band Alice in Chains ), Bingo, Stephen Smoak, Bobby Ferguson, and Ray Wood.

  4. The 7 Best Microphones for YouTube Videos and Live Streaming

    www.aol.com/news/7-best-microphones-youtube...

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  5. Shure - Wikipedia

    en.wikipedia.org/wiki/Shure

    Shure Inc. is an audio products corporation headquartered in the USA. It was founded by Sidney N. Shure in Chicago, Illinois, in 1925 as a supplier of radio parts kits. The company became a manufacturer of consumer and professional audio-electronics including microphones, wireless microphone systems, phonograph cartridges, discussion systems, mixers, and digital signal processing.

  6. Portable media player - Wikipedia

    en.wikipedia.org/wiki/Portable_media_player

    DAPs continue to be made in lower volumes by manufacturers such as SanDisk, Sony, iRiver, Philips, Cowon, and a range of Chinese manufacturers namely Aigo, Newsmy, PYLE and ONDA. [64] They often have specific selling points in the smartphone era, such as portability (for small sized players) or for high quality sound suited for audiophiles.

  7. Decca tree - Wikipedia

    en.wikipedia.org/wiki/Decca_tree

    The Decca Tree setup evolved from the idea of a minimal recording technique using a pair of microphones. The first system was developed by Roy Wallace. The microphone triangle was placed about 3 to 3.6 m high above the stage level, near the conductor. The microphone system is not properly in front of the orchestra, but more "into" the orchestra.

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