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Saxhorn used by the 1st Minnesota Volunteer Infantry Regiment during the Civil War. The backward-facing bell version became the most common brass instrument in Civil War bands so that troops marching behind the band could hear the music. From the collection of the Minnesota Historical Society.
With a budget of $7 million, "Scream" by Michael Jackson (left) and Janet Jackson (right) is the most expensive music video of all time—both nominally and adjusted for inflation. This article lists the most expensive music videos ever made, with costs of $500,000 or more, from those whose budgets have been disclosed.
The tenor horn is very rarely included in the symphony orchestra, where its place is taken by the French horn. Instead, it is a fixture of British brass bands, where it often plays a role similar to that of the orchestral horn in the symphony orchestra. The tenor horn has also been used in concert bands as a replacement for the French horn. In ...
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Junior Wells, Everybody's Gettin' Some (CD, horn arrangements: Jon Smith/Steve Howard - "The Legendary White Trash Horns"), 1995, Telarc Records Billy Branch , The Blues Keep Following Me Around (CD, horn arrangements: Jon Smith/Steve Howard - "The Legendary White Trash Horns"), 1995, PGD/ PolyGram Pop
A notable part of the band's sound was the "Seawind Horns" (trumpeter Jerry Hey, sax and flute player Kim Hutchcroft, and sax and flute player Larry Williams), who went on to provide backing instrumentals and horn arrangements for performers such as Earth, Wind & Fire, George Benson, Michael Jackson (Thriller, Off the Wall, and Bad), Quincy Jones and Mika.
It's one of the most expensive msuic video ever, isn't?--181.164.153.53 21:00, 23 March 2014 (UTC) Deadmau5 professional greivers video should be on here as it cost roughly the equivalent of davic bowie's ashes to ashes video — Preceding unsigned comment added by 90.21.162.230 20:18, 14 November 2015 (UTC)
The two created the signature horn sound at Stax on hit records by Otis Redding, Sam & Dave and others. After recording numerous tracks at Stax, he and Jackson incorporated themselves into The Memphis Horns and began freelancing. Love and Jackson recorded at sessions for such artists as Neil Diamond, Elvis Presley and Dusty Springfield.