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Mezzotint is a monochrome printmaking process of the intaglio family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth, called ...
It became widely used throughout East Asia both as a method for printing on textiles and later, under the influence of Buddhism, on paper. As a method of printing on cloth, the earliest surviving examples from China date to the Han dynasty (before 220 CE). Ukiyo-e is the best known type of Japanese woodblock art print.
Reduction printing is a name used to describe the process of using one block to print several layers of color on one print. Both woodcuts and linocuts can employ reduction printing. This usually involves cutting a small amount of the block away, and then printing the block many times over on different sheets before washing the block, cutting ...
Offset printing is a common printing technique in which the inked image is transferred (or "offset") from a plate to a rubber blanket and then to the printing surface. When used in combination with the lithographic process, which is based on the repulsion of oil and water, the offset technique employs a flat (planographic) image carrier.
Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
Lithography (from Ancient Greek λίθος (líthos) 'stone' and γράφω (gráphō) 'to write') [1] is a planographic method of printing originally based on the immiscibility of oil and water. [2] The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface.
Stipple competed with mezzotint as a tonal method of printmaking, and while it lacked the rich depth of tone of mezzotint, it had the great advantage that far more impressions could be taken from a plate. [8] During the late eighteenth century, some printmakers, including Francesco Bartolozzi, began to use colour in stipple engraving.
Block letters may also be used as to refer to block capitals, which means writing in all capital letters or in large and small capital letters, imitating the style of typeset capital letters. [2] However, in at least one court case involving patents, the term "block letters" was found to include both upper and lower case. [2]