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Ba Be Bi Bj Bl Bo Br Bu By B Ba Vahram Babayan (born 1948) Sonata for viola and piano, Op. 88 (1985) Sonata for viola solo, Op. 127 (2000) Milton Babbitt (1916–2011) Composition for viola and piano (1950); Associated Music Publishers Inc. Mehr “Du” for soprano, viola and piano (1991); C. F. Peters Play It Again, Sam for viola solo (1989); C. F. Peters Soli e Duettini for violin and viola ...
D Jean Daetwyler (1907–1994) Concerto for viola and orchestra (1979) Jörgen Dafgård (b. 1964) For the Sleeping: Dream Sonata for viola and tape (1997–1998) Frames and Flow, 6 Duets for violin, viola and cello (1988–2000); Nos. 1 and 3 for viola and cello; Nos. 2 and 5 for violin and viola; STIM; Swedish Music Information Centre Roland Dahinden (b. 1962) broken lines for viola and ...
The viola sonata is a sonata for viola, sometimes with other instruments, usually piano.The earliest viola sonatas are difficult to date for a number of reasons: in the Baroque era, there were many works written for the viola da gamba, including sonatas (the most famous being Johann Sebastian Bach's Three Sonatas for Viola da Gamba and Harpsichord, now most often played on the cello) [citation ...
M Ami Maayani (1936–2019) Concerto for viola and orchestra (1974); Israeli Music Publications Improvisation variée for flute, viola and harp (1966) Trio for flute, viola and harp (1969); revision of Improvisation variée ; Lyra Music Andrew Paul MacDonald (b. 1958) The Great Square of Pegasus: "Algenib" for viola solo, Op. 42 (1997) Hymenaeus for violin and viola, Op. 38 (1996); Canadian ...
David Dalton, Maurice W. Riley, and Franz Zeyringer at International Viola Congress XV, Ann Arbor, Michigan The Primrose International Viola Archive was initially proposed in 1974 using the existing viola holdings of the Harold B. Lee Library (HBLL) at Brigham Young University (BYU) along with contributions from Scottish-American violist William Primrose, forming the William Primrose Viola ...
The viola's back length is about 44 cm (~17.3 inches), but the bridge is further up the body than normal, so the playable string length is less and hence more manageable than what would be typical for such a large instrument. [62] He previously played on a 1677 viola by the Italian luthier, Giovanni Grancino. [63]
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Arguably, one of the first concertante works to use the viola without caution was Wolfgang Amadeus Mozart's Sinfonia Concertante, scored for solo violin and viola. Although not much work was written for the viola alone in the Classical or Romantic periods, with only a few example concerto-like pieces emerging such as Max Bruch's Romanze, Hector ...