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Like the Insular chalices and other metalwork, the very ornate Irish brooches were mostly made in many pieces which are pinned or slotted together. Filigree decoration was often made on "trays" which fitted into the main ring — on the Tara Brooch many of these are now missing (most were still in place when it was found in 1850).
Wing Brooch, 2nd century AD, Metropolitan Museum of Art. A brooch (/ ˈ b r oʊ tʃ /, also US: / ˈ b r uː tʃ / [1]) is a decorative jewellery item designed to be attached to garments, often to fasten them together. It is usually made of metal, often silver or gold or some other material.
The thistle brooch is a simpler version of the penannular brooch, with less surface decoration, which gained popularity around 1100. The thistle is the national flower of Scotland and acts as an emblem. Today, thistle brooches are often made of silver and contain a thistle motif, and are not necessarily a penannular brooch. [citation needed]
The most outstanding piece of jewelry that still remains from this period is the crown of Charlemagne, with precious stones, filigree, enamel and gold. [23] The Ottonian style is, again, very similar to the Byzantines and the Carolingians. Religion plays a main part in the jewelry that remains. [24]
The original Michaela Frey style of enamel ornamentation and fire enamel techniques was created in the 1960s by Viennese designer and company founder Michaela Frey, who refined the technique of fine enameling over several decades and ran a workshop dedicated to enamel jewellery and objets d'art.
A threaded bolt turns against a small piece of 90-degree angle iron to allow the musician to easily adjust the string action, that is, the closeness of the strings to the fretboard on the neck. The guitar can be disassembled, reassembled and string action set with the use of a simple screwdriver. Jackson Guldan Adjustomatic Guitar.
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