Search results
Results from the WOW.Com Content Network
Heller concludes that we do not learn from history (and in fact so much of history may be nonfactual that learning may be impossible). Being a pessimist chronicler of the American Century, his main unspoken theme is of course parallels between the onetime Hellenic overlord respective the onetime ruler of the seas, and his home country.
Joseph Heller (May 1, 1923 – December 12, 1999) was an American author of novels, short stories, plays, and screenplays. His best-known work is the 1961 novel Catch-22, a satire on war and bureaucracy, whose title has become a synonym for an absurd or contradictory choice.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Help; Learn to edit; Community portal; Recent changes; Upload file
Something Happened has frequently been criticized as overlong, rambling, and deeply unhappy. [2] These sentiments are echoed in a review of the novel by fellow writer and humorist Kurt Vonnegut, but are countered with praise for the novel's prose and the meticulous patience Heller took in the creation of the novel, stating, "Is this book any good?
This page was last edited on 14 January 2018, at 23:52 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
No Laughing Matter is a 1986 book co-authored by Joseph Heller and Speed Vogel. The book covers Heller's struggle with Guillain–Barré syndrome from 1981 to 1982, as well as the experience of Vogel, Heller's longtime friend, helping with Heller's rehabilitation and serving as his public face during that time. Heller and Vogel wrote ...
Closing Time is a 1994 novel by Joseph Heller, written as a sequel to his popular 1961 novel Catch-22.It is his sixth novel. It takes place in New York City in the 1990s and revisits some characters of the original, including Yossarian, Milo Minderbinder, and Chaplain Tappman.
The most insight Heller provides into his body of his work is a discussion in the penultimate chapter of his experience with psychoanalysis. Heller revisits his father's death in the chapter, and notes how so many of his works have a prominent, but not central, character's death described in the penultimate chapter (e.g., Snowden in Catch-22 ...