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Recorded in English c. 1374, with a meaning of "one who pleads or argues for a cause", from Anglo-French oratour, Old French orateur (14th century), Latin orator ("speaker"), from orare ("speak before a court or assembly; plead"), derived from a Proto-Indo-European base *or-("to pronounce a ritual formula").
Splatter films, according to film critic Michael Arnzen, "self-consciously revel in the special effects of gore as an artform." [5] Where typical horror films deal with such fears as that of the unknown, the supernatural and the dark, the impetus for fear in a splatter film comes from physical destruction of the body and the pain accompanying it.
Acceptance; Admiration; Affection; Amusement; Anger; Angst; Anguish; Annoyance; Anticipation; Anxiety; Apathy; Arousal; Awe; Belongingness; Boredom; Confidence ...
Étienne Dolet (French: [etjɛn dɔlɛ]; 3 August 1509 – 3 August 1546) was a French scholar, translator and printer.He was a controversial figure throughout his lifetime, which was buffeted by the opposing forces of the Renaissance and the French Inquisition.
Mailbox sign using French-Canadian profanity. The closest English translation of sentiment and severity is "No admail motherfucker.". Tabarnak is the strongest form of that sacre, derived from tabernacle (where the Eucharist is stored, in Roman Catholicism).
L'Orateur - Du meilleur genre d'orateurs. Collection des universités de France Série latine. Latin text with translation in French. ISBN 978-2-251-01080-9 Publication Year: June 2008; M. Tulli Ciceronis De Oratore Libri Tres, with Introduction and Notes by Augustus Samuel Wilkins. Oxford: Oxford University Press, 1902. (Reprint: 1961).
Powers of Horror: An Essay on Abjection (French: Pouvoirs de l'horreur. Essai sur l'abjection) is a 1980 book by Julia Kristeva.The work is an extensive treatise on the subject of abjection, [1] in which Kristeva draws on the theories of Sigmund Freud and Jacques Lacan to examine horror, marginalization, castration, the phallic signifier, the "I/Not I" dichotomy, the Oedipal complex, exile ...
The Orator, also known as L'Arringatore (), Aule Meteli or Aulus Metellus (), is an Etruscan bronze sculpture from the late second or the early first century BC. [1] Aulus Metellus was an Etruscan senator in the Roman republic, originally from Perugia or Cortona. [2]