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Cello Sonata No. 2 in A minor, Op. 41 (1900) Cello Sonata No. 3 in G minor (1905) Cello Sonata No. 4 in C minor (1906) Cello Sonata No. 5 in B minor, Op. 56 (1907–10) Cello Sonata No. 6 in D (1914–15) Cello Sonata No. 7 in F-sharp minor (1917) Cello Sonata No. 8 in D minor (1926) Cello Sonata No. 9 in E minor (1927)
Platel is considered the founder of the Belgian school of cello playing. [1] [2] [4] [5] His students included Adrien-François Servais, Alexandre Batta, and François de Munck , who would succeed him in the position. [2] Platel is credited with inspiring Batta to switch from the violin to the cello. [6] Platel died in Brussels on 25 August ...
Performing cello suites on a double bass offers intriguing challenges. Meyer recorded Suites I, II and V. Meyer recorded Suites I, II and V. There also are recordings of all six Suites by Richard Hartshorne (on Centaur ), Gerd Reinke (on rclcds ) and François Rabbath (on Solstice ).
Bruno Cocset. Haapsalu, 2022. Bruno Cocset (born in 1963 in France) is a baroque cello player. [1] After studying in National Conservatory of Tours, he received classes from Anner Bylsma, [2] Jaap Schröder and Christophe Coin.
The Second Cello Concerto is in C minor. Cello Concerto No. 2 does not follow a traditional concerto structure like Concerto No. 1 as it has a slow-fast-slow pattern. This structure was influenced by Kabalevsky's teacher, Nikolai Myaskovsky. [12] The movements are as follows:
Figment No. 2, Remembering Mr. Ives (2001) Gaspar Cassadó. Suite (1926) Geghuni Chitchjan. Sonata for solo cello (1983) Frédéric Chopin. Etude in A ♭ major, Op. 25, No. 1 (trans. Cassadó) Nigel Clarke. Spectroscope (1987) Sonata in D minor for baroque cello or viola da gamba (2009) Michael Colgrass. Wolf (1975) Giuseppe Colombi (1635–1694)
Cello Sonatas No. 1 and No. 2, Op. 5, are two sonatas for cello and piano written by Ludwig van Beethoven in 1796, while he was in Berlin. While there, Beethoven met the King of Prussia Friedrich Wilhelm II , an ardent music-lover and keen cellist.
His solo concerts feature the cello, sarangi, sitara, and nyckelharpa with a technique called live looping, where he uses a customized system to record and overdub his live playing on stage. His production work includes projects in a range of genres, from Americana to bluegrass, folk, rock, and devotional chants.