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These trio sonatas are for two violins and basso continuo. The last music is a same title of "La Follia" as Corelli's Twelve Violin Sonatas, Op. 5. [1] Sonata No. 1 in G minor, RV 73; Sonata No. 2 in E minor, RV 67; Sonata No. 3 in C major, RV 61; Sonata No. 4 in E major, RV 66; Sonata No. 5 in F major, RV 69; Sonata No. 6 in D major, RV 62 ...
The genre originated as instrumental adaptation of the three-part texture common in Italian vocal music in the late 16th century. The earliest published trio sonatas appeared in Venice (Salamone Rossi Il primo libro delle sinfonie e gagliarde, 1607) and in Milan (Giovanni Paolo Cima, Sonata a tre for violin, cornett and continuo in the collection Concerti ecclesiastici, 1610).
Jean-Baptiste Loeillet primarily wrote sonatas in the Baroque style. His sonatas consisted of four to six movements, with one or three voices over a basso continuo. He used the flute, recorder, oboe, and violin as solo instruments throughout his three volumes of sonatas. His 12 Trio Sonatas was dedicated to John Manners, 3rd Duke of Rutland.
Gallo also composed violin sonatas, symphonies and possibly violin concertos. Some trio sonatas by Domenico Gallo were long attributed to Giovanni Battista Pergolesi, including those upon which Igor Stravinsky based his music for the ballet Pulcinella. In fact, half of the surviving works by Gallo were once attributed to Pergolesi, probably ...
L'estro armonico (The Harmonic Inspiration), Op. 3, is a set of 12 concertos for string instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711. Vivaldi's Twelve Trio Sonatas, Op. 1 , and Twelve Violin Sonatas, Op. 2 , only contained sonatas, thus L'estro armonico was his first collection of concertos appearing in ...
Giuseppe Sammartini – 12 Trio Sonatas, Op. 3 (Paris) Giuseppe Tartini – VI Sonate , for violin and basso continuo, Op. 2 (Amsterdam) (two other collections were published as Op. 2, VI concerti a 8 in Amsterdam, 1734, and 12 Sonatas for violin and basso continuo in Rome, 1745, but also in Paris, ca. 1747 as Op. 3)
This made him a very skilled composer of his time. One of Giuseppe's first published collections was a set of 12 trio sonatas. It was published in London by Walsh & Hare. [2] Sammartini's career as a composer advanced when he was hired as the music master for the Prince of Wales, Frederick, and his wife Augusta.
The sonatas in Opus 5 are divided into sonate a due (sonatas no. 1-5, standard trio sonatas for two violins and organ continuo), sonate a tre (sonata nos. 6-9, adding an independent violone part), sonate a quattro (sonata nos. 10 and 11, adding alto viola) and a sonata a cinque (sonata no. 12, for two violins, alto and tenor violas, violone and ...